[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:cant-we-be-freinds":3},"title: Can't we be Freinds\ncomposer: Jones, Kay Swift\nstyle: Medium Swing\nkey: F\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n# area: Eb major (A1 1 – B 7)\n1 | F7      # V7 of V7: the dominant of the dominant: natural tensions\n2 | Bb7     # V7 of Eb: natural tensions\n3 | EbMaj7  # tonic: the 4th is in the key\n3 | B7      # ♭VI7 from the parallel minor: Lydian Dominant\n4 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | Gbm7    # a borrowed minor chord: Dorian, its own key\n5 | Fm7     # ii of the ii–V to Eb\n6 | Bb7     # V7 of Eb: natural tensions\n7 | EbMaj7  # tonic: the 4th is in the key\n8 | Edim    # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n9 | Bbm7    # ii of Eb7: Dorian\n9 | Eb7     # extended dominant: V7 of Ab7\n@ending 1 8\n@ending 2 9\n\nsection: B\n1 | Ab7     # IV7 in Eb, not resolving: the #11 is in the key\n2 | Adim    # ♯IV°7 to I: D7♭9 without its root, the ♯II°7's notes\n3 | Eb6     # tonic: the 4th is in the key\n4 | Eb6\n5 | Bbm7    # ii of Eb7: Dorian\n6 | Eb7     # V7\u002FIV in Eb: natural tensions\n7 | Am7     # ii of the ii–V to G minor\n7 | D7      # V7\u002Fiii in Eb: b9 and b13 are in the key\n# area: F major (B 8 – A2 4)\n8 | Gm7     # ii of C7: Dorian\n8 | C7      # extended dominant: V7 of F7\n\nsection: A2\n1 | F7      # extended dominant: V7 of Bb7\n2 | Bb7     # V7\u002FbVII in F: the #11 is in the key\n3 | EbMaj7  # ♭VIImaj7, borrowed from F minor: Lydian (its ♯11 is in the key)\n3 | B7      # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n4 | Cm7     # a borrowed minor chord: Dorian, its own key\n4 | Gm7     # ii: Dorian, the key’s own notes\n4 | Gbm7    # a borrowed minor chord: Dorian, its own key\n# area: Eb major (A2 5–8)\n5 | Fm7     # ii of the ii–V to Eb\n6 | Bb7     # V7 of Eb: natural tensions\n7 | EbMaj7  # tonic: the 4th is in the key\n8 | Edim    # passing diminished: C7♭9 without its C, the F7's dominant; not functioning diatonically: the symmetric scale\n",1793575884458]