[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:cant-help-lovin-dat-man":3},"title: Can't Help Lovin' Dat Man\ncomposer: Jerome Kern\nstyle: Slow Swing\nkey: Eb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1 | EbMaj7  # tonic: the 4th is in the key\n1 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Fm7     # ii of the ii–V to Eb\n2 | Bb7     # V7 of Eb: natural tensions\n3 | EbMaj7  # tonic: the 4th is in the key\n3 | Bbm7    # ii of the ii–V to Ab\n3 | Eb7     # V7\u002FIV in Eb: natural tensions\n4 | Ab6     # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n4 | Db7     # ♭VII7 from the parallel minor: Lydian Dominant\n5 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | B7      # tritone substitute: resolves down a half step to Bb7\n6 | Bb7     # V7 of Eb: natural tensions\n7 | Eb6     # tonic: the 4th is in the key\n7 | Edim7   # vii°7 of Fm7: C7♭9 without its root\n8 | Fm7     # ii of Bb7: Dorian\n8 | Bb7     # V7\u002FI in Eb: natural tensions\n9 | Bbm7    # ii of the ii–V to Ab\n9 | Eb7     # V7\u002FIV in Eb: natural tensions\n@ending 1 8\n@ending 2 9\n\nsection: B\n1 | Ab6     # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n2 | Adim7   # ♯IV°7 to I: D7♭9 without its root, the ♯II°7's notes\n3 | EbMaj7  # tonic: the 4th is in the key\n4 | F7      # II7 in Eb, not resolving: natural tensions\n5 | EbMaj7  # tonic: the 4th is in the key\n6 | G7      # III7 in Eb, not resolving: b9 and b13 are in the key\n7 | Fm7     # ii of the ii–V to Eb\n8 | Bb7     # V7 of Eb: natural tensions\n\nsection: A2\n1 | EbMaj7  # tonic: the 4th is in the key\n1 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Fm7     # ii of the ii–V to Eb\n2 | Bb7     # V7 of Eb: natural tensions\n3 | EbMaj7  # tonic: the 4th is in the key\n3 | Bbm7    # ii of the ii–V to Ab\n3 | Eb7     # V7\u002FIV in Eb: natural tensions\n4 | Ab6     # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n4 | Db7     # ♭VII7 from the parallel minor: Lydian Dominant\n5 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | B7      # tritone substitute: resolves down a half step to Bb7\n6 | Bb7     # V7 of Eb: natural tensions\n7 | Eb6     # tonic: the 4th is in the key\n8 | Fm7     # ii of the ii–V to Eb\n8 | Bb7     # V7 of Eb: natural tensions\n",1793575884447]