[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:call-me":3},"title: Call Me\ncomposer: Tony Hatch\nstyle: Bossa Nova\nkey: G\nform: AABA, 56 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A1\n# area: G major (A1 1–2)\n1  | GMaj7   # tonic: the 4th is in the key; the repeat at A2 bar 1 would be G Lydian\n2  | GMaj7   # tonic: the 4th is in the key; the repeat at A2 bar 2 would be G Lydian\n# area: F major (A1 3–6)\n3  | Gm7     # ii of the ii–V to F\n4  | C7      # V7 of F: natural tensions\n5  | FMaj7   # tonic: the 4th is in the key\n6  | FMaj7\n# area: Eb major (A1 7 – A2 2)\n7  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n9  | EbMaj7  # tonic: the 4th is in the key\n10 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n11 | EbMaj7  # tonic: the 4th is in the key\n12 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n13 | EbMaj7  # tonic: the 4th is in the key\n14 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n15 | GMaj7   # a non-tonic major chord: Lydian\n16 | GMaj7\n\nsection: A2\ncopy: A1\n\nsection: B\n# area: G major (B 1 – A3 2)\n1  | Am7     # ii of D7: Dorian\n1  | D7      # V7\u002FI in G: natural tensions\n2  | Am7     # ii of the ii–V to G\n2  | D7      # V7 of G: natural tensions\n3  | GMaj7   # tonic: the 4th is in the key\n3  | C7      # tritone substitute: resolves down a half step to Bm7\n4  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | E7#9    # V7\u002Fii in G: the b13 is in the key, b9, #9 and #11 from the symbol\n5  | Am7     # ii of D7: Dorian\n5  | D7      # V7\u002FI in G: natural tensions\n6  | Am7     # ii of D7: Dorian\n6  | D7      # V7\u002FI in G: natural tensions\n7  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | E7#9    # V7\u002Fii in G: the b13 is in the key, b9, #9 and #11 from the symbol\n8  | Am7     # ii of the ii–V to G\n8  | D7      # V7 of G: natural tensions\n\nsection: A3\n1  | GMaj7   # tonic: the 4th is in the key\n2  | GMaj7\n# area: F major (A3 3–6)\n3  | Gm7     # ii of the ii–V to F\n4  | C7      # V7 of F: natural tensions\n5  | FMaj7   # tonic: the 4th is in the key\n6  | FMaj7\n# area: Eb major (A3 7–16)\n7  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n9  | EbMaj7  # tonic: the 4th is in the key\n10 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n11 | EbMaj7  # tonic: the 4th is in the key\n12 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n13 | EbMaj7  # tonic: the 4th is in the key\n14 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n15 | GMaj7   # a non-tonic major chord: Lydian\n16 | GMaj7\n",1793575884369]