[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:cabin-in-the-sky":3},"title: Cabin in the Sky\ncomposer: Vernon Duke\nstyle: Medium Swing\nkey: G\nform: AABCA, 32 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A1\n# area: G major (A1 1 – B 2)\n1  | GMaj7   # tonic: the 4th is in the key\n1  | G#dim7  # vii°7 of Am7: E7♭9 without its root\n2  | Am7     # ii: Dorian, the key’s own notes\n2  | Bbdim7  # passing diminished: F#7♭9 without its F#, the Bm7b5's dominant\n3  | Bm7b5   # iiiø7 in G: Locrian, its own mode (the chord is outside the key)\n4  | Bb9#11  # tritone substitute: resolves down a half step to Am\n5  | Am      # ii: Dorian, the key’s own notes\n5  | AmMaj7  # from the symbol: minor-major 7th\n6  | Am7     # ii: Dorian, the key’s own notes\n6  | Adim7   # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n7  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | Bb7     # tritone substitute: resolves down a half step to Am7\n8  | Am7     # ii: Dorian, the key’s own notes\n8  | Ab7     # tritone substitute: resolves down a half step to GMaj7\n9  | GMaj7   # tonic: the 4th is in the key\n9  | Am7b5   # iiø7, borrowed from G minor: Locrian\n10 | G6      # tonic: the 4th is in the key\n10 | CMaj7   # IV: the #4 is the key’s 7th\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | F#m7    # a borrowed minor chord: Dorian, its own key\n1  | F13     # tritone substitute: resolves down a half step to Em6\n2  | Em6     # a minor sixth chord: Dorian\n2  | C#m7b5  # #ivø7 in G: Locrian, its own mode (the chord is outside the key)\n# area: E major (B 3 – C 1)\n3  | F#m7    # ii of the ii–V to E\n3  | B9      # V7 of E: natural tensions\n4  | EMaj7   # tonic: the 4th is in the key\n\nsection: C\n1  | Em      # a borrowed minor chord: Dorian, its own key\n1  | EmMaj7  # from the symbol: minor-major 7th\n# area: G major (C 2 – A2 8)\n2  | Em7     # ii of A7: Dorian\n2  | A7      # V7 of V7: the dominant of the dominant: natural tensions\n3  | D7      # V7 in G, not resolving: natural tensions\n3  | CMaj7   # IV: the #4 is the key’s 7th\n4  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Am7     # ii: Dorian, the key’s own notes\n\nsection: A2\n1  | GMaj7   # tonic: the 4th is in the key\n1  | G#dim7  # vii°7 of Am7: E7♭9 without its root\n2  | Am7     # ii: Dorian, the key’s own notes\n2  | Bbdim7  # passing diminished: F#7♭9 without its F#, the Bm7b5's dominant\n3  | Bm7b5   # iiiø7 in G: Locrian, its own mode (the chord is outside the key)\n4  | Bb9#11  # tritone substitute: resolves down a half step to Am\n5  | Am      # ii: Dorian, the key’s own notes\n5  | AmMaj7  # from the symbol: minor-major 7th\n6  | Am7     # ii: Dorian, the key’s own notes\n6  | Ab7     # tritone substitute: resolves down a half step to G6\n7  | G6      # tonic: the 4th is in the key\n8  | G6\n",1793575884356]