[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:bye-ya":3},"title: Bye-Ya\ncomposer: Thelonious Monk\nstyle: Medium Swing\nkey: Ab\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Ab\n\nsection: A1\n1 | Db7     # IV7 in Ab, not resolving: the #11 is in the key\n2 | Ab6     # tonic: the 4th is in the key\n3 | Db7     # IV7 in Ab, not resolving: the #11 is in the key\n4 | Ab6     # tonic: the 4th is in the key\n5 | Gb7#11  # back door bVII7 to Ab6: the #11 is in the key\n6 | Ab6     # tonic: the 4th is in the key\n7 | E7      # ♭VI7 from the parallel minor: Lydian Dominant\n7 | B7#11   # back door bVII7 to Db6: the #11 is in the key\n8 | Db6     # IV: the #4 is the key’s 7th\n8 | D6      # a non-tonic major chord: Lydian\n8 | Eb6     # a non-tonic major chord: Lydian\n\nsection: A2\ncopy: A1\n\nsection: B\n1 | A6      # ♭II6, borrowed from Ab Phrygian: Lydian (its ♯11 is in the key)\n2 | A6\n3 | Ab6     # tonic: the 4th is in the key\n4 | Ab6\n5 | Bm7     # ii of E7: Dorian\n6 | E7      # extended ii–V: a side-step, its own key\n7 | Bbm7    # ii of Eb7: Dorian\n7 | Eb7     # V7\u002FI in Ab: natural tensions\n8 | Am7     # ii of D7: Dorian\n8 | D7      # tritone substitute: resolves down a half step to Db7\n\nsection: A3\n1 | Db7     # IV7 in Ab, not resolving: the #11 is in the key\n2 | Ab6     # tonic: the 4th is in the key\n3 | Db7     # IV7 in Ab, not resolving: the #11 is in the key\n4 | Ab6     # tonic: the 4th is in the key\n5 | Gb7#11  # back door bVII7 to Ab6: the #11 is in the key\n6 | Ab6     # tonic: the 4th is in the key\n7 | E7      # ♭VI7 from the parallel minor: Lydian Dominant\n7 | B7#11   # back door bVII7 to Db6: the #11 is in the key\n8 | Db6     # IV: the #4 is the key’s 7th\n8 | D6      # a non-tonic major chord: Lydian\n8 | Eb6     # a non-tonic major chord: Lydian\n",1793575884309]