[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:bye-bye-brasil":3},"title: Bye Bye Brasil\ncomposer: Chico Buarque, Roberto Menescal\nstyle: Samba Funk\nkey: D\nform: ABAC, 48 bars\nrecording: Chico Buarque; Vida; Philips; 1980\nyoutube: MfXBm7puDic\n# analysis: 2026-10-28, rules v2; D\n# recording: Philips 6349.435 (1980); Chico Buarque sang it first on the Philips single 6245 112 \"Bye Bye Brasil com Chico Buarque\" (1980, 4:22) for Carlos Diegues's film, the LP version is 4:40; the composers' own recording, rule 1; sources: Discogs; video: Universal Music Group \"Provided to YouTube\" upload, Vida, ℗ 1980, 4:43\n\nsection: Intro\n# area: F# major (Intro 1–4)\n1  | G#m7b5    # iiø7 of F#: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | C#7#9     # V7 of F#: b9, #9 and #11 from the symbol\n3  | F#Maj7    # tonic: the 4th is in the key\n4  | C7        # tritone substitute: resolves down a half step to B7b13\n4  | B7b13     # V7\u002Fbvii in F#: the #11 is in the key, the b13 from the symbol\n\nsection: A1\n# area: D major (A1 1 – B 5)\n1  | Em7       # ii of the ii–V to D\n2  | Em7\n3  | A9sus     # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n4  | A9sus\n5  | DMaj7#11  # from the symbol: #11\n6  | DMaj7#11\n7  | F#m7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | B7#11     # V7\u002Fii in D: #11 and 13 from the symbol\n9  | Em7       # ii of A9sus: Dorian\n10 | Em7\n11 | A9sus     # static sus: Mixolydian\n12 | A9sus\n\nsection: B\n1  | Am7       # ii of the ii–V to G\n2  | Am7\n3  | D9sus     # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n4  | D9sus\n5  | GMaj7     # IV: the #4 is the key’s 7th\n# area: B major (B 6–8)\n6  | F#7#9     # V7 of B: b9, #9 and #11 from the symbol\n7  | BMaj7     # tonic: the 4th is in the key\n8  | G#m7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: D major (B 9 – C 8)\n9  | Am7       # ii of D7: Dorian\n10 | D7        # V7\u002FIV in D: natural tensions\n11 | F#m7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | B7#11     # V7\u002Fii in D: #11 and 13 from the symbol\n\nsection: A2\ncopy: A1\n\nsection: C\n1  | Am7       # ii of D7: Dorian\n2  | D7        # V7\u002FIV in D: natural tensions\n3  | AbMaj7    # a non-tonic major chord: Lydian\n4  | AbMaj7\n4  | Ab7       # tritone substitute: resolves down a half step to GMaj7\n5  | GMaj7     # the Ab7 before it makes G the key of the moment: the 4th is in the key\n6  | C7        # ♭VII7 from the parallel minor: Lydian Dominant\n7  | F#m7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | Bm7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: F# major (C 9–12)\n9  | G#m7b5    # iiø7 of F#: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | C#7b9     # V7 of F#: the b9 from the symbol\n11 | F#Maj7    # tonic: the 4th is in the key\n12 | F#m7      # ii of the ii–V to E minor\n12 | B7#11     # V7\u002Fbvii in F#: the #11 is in the key\n@coda 12\n\nsection: Coda1\n# area: D major (Coda1 1 – Coda2 8)\n1  | Em7       # ii of the ii–V to D\n2  | Em7\n3  | A9sus     # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n4  | A9sus\n5  | DMaj7#11  # from the symbol: #11\n6  | DMaj7#11\n7  | F#m7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | B7#11     # V7\u002Fii in D: #11 and 13 from the symbol\n@coda 1\n\nsection: Coda2\ncopy: Coda1\n",1793484798528]