[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:bye-bye-blackbird":3},"title: Bye Bye Blackbird\nsubtitle: Medium (solo changes)\ncomposer: Ray Henderson\nstyle: Medium\nkey: F\nform: ABCD, 32 bars\nrecording: Miles Davis; 'Round About Midnight; Columbia; 1957\nyoutube: CieM9gurwZ4\n# analysis: 2026-10-19, rules v2; F\n# recording: recorded 1956-06-05, Columbia 30th Street Studio, New York, with John Coltrane, Red Garland, Paul Chambers, Philly Joe Jones, CL 949, released 1957-03-04; songbook standard (1926) → Miles's reading is the jazz reference; sources: jazzdisco, Wikipedia; video: \"Provided to YouTube by Columbia\u002FLegacy\", 'Round About Midnight, the same take (not take 1 or the live versions)\n\n# bar | chord | scale\n\nsection: A\n1 | FMaj7   # tonic: the 4th is in the key\n2 | BbMaj7  # IV: the #4 is the key’s 7th\n2 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | D7      # V7\u002Fii in F: the b13 is in the key\n3 | Gm7     # ii of the ii–V to F\n3 | C7      # V7 of F: natural tensions\n4 | FMaj7   # tonic: the 4th is in the key\n5 | Dm7\u002FA   # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Abdim7  # passing diminished: G7♭9 without its G, the C7's dominant (Gm7 its ii)\n7 | Gm7     # ii of C7: Dorian\n8 | C7      # V7\u002FI in F: natural tensions\n\nsection: B\nbars: 8\n1 | Gm      # ii: Dorian, the key’s own notes\n2 | Abm     # a borrowed minor chord: Dorian, its own key\n3 | Am      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | Abm     # a borrowed minor chord: Dorian, its own key\n5 | Gm7     # ii of the ii–V to F\n6 | C7      # V7 of F: natural tensions\n7 | FMaj7   # tonic: the 4th is in the key\n\nsection: C\n1 | Cm7     # ii of F7: Dorian\n1 | F7      # V7\u002FIV in F: natural tensions\n2 | Bm7     # ii of E7: Dorian\n2 | E7      # extended ii–V: a side-step, its own key\n3 | Bbm7    # ii of Eb7: Dorian\n3 | Eb7     # extended ii–V: a side-step, its own key\n4 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | D7      # V7\u002Fii in F: the b13 is in the key\n5 | Gm      # ii: Dorian, the key’s own notes\n7 | Abm7    # ii of Db7: Dorian\n7 | Db7     # extended ii–V: a side-step, its own key\n8 | Gm7     # ii of the ii–V to F\n8 | C7b9    # V7 of F: the b9 from the symbol\n\nsection: D\n1 | FMaj7   # tonic: the 4th is in the key\n2 | BbMaj7  # IV: the #4 is the key’s 7th\n3 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | D7b9    # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n5 | Gm7     # ii of the ii–V to F\n6 | C7      # V7 of F: natural tensions\n7 | FMaj7   # tonic: the 4th is in the key\n8 | Gm7     # ii of the ii–V to F\n8 | C7      # V7 of F: natural tensions\n",1793484798513]