[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:bye-bye-baby":3},"title: Bye Bye Baby\ncomposer: Jule Styne\nstyle: Medium Swing\nkey: Bb\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; Bb\n\nsection: A1\n1 | BbMaj7    # tonic: the 4th is in the key\n1 | F7#5      # V7 of Bb: #11 and b13 from the symbol\n2 | BbMaj7    # tonic: the 4th is in the key\n2 | G7        # V7\u002Fii in Bb: the b13 is in the key\n3 | Cm7       # ii of the ii–V to Bb\n4 | F7        # V7 of Bb: natural tensions\n5 | BbMaj7    # tonic: the 4th is in the key\n6 | Gm7       # ii of C7: Dorian\n7 | C7        # V7 of V7: the dominant of the dominant: natural tensions\n8 | F7        # V7 of Bb: natural tensions\n\nsection: B\n1 | BbMaj7    # tonic: the 4th is in the key\n1 | D7        # extended dominant: V7 of G7\n2 | G7        # VI7 in Bb, not resolving: the b13 is in the key\n2 | Bb7       # V7\u002FIV in Bb: natural tensions\n3 | EbMaj7    # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n3 | G7        # V7\u002Fii in Bb: the b13 is in the key\n4 | Cm7       # ii of F7: Dorian\n5 | F7        # V7\u002FI in Bb: natural tensions\n5 | Edim7     # passing diminished: C7♭9 without its C, the F7's dominant; not functioning diatonically: the symmetric scale\n6 | F7        # V7 in Bb, not resolving: natural tensions\n6 | F7#5      # V7 of Bb: #11 and b13 from the symbol\n7 | BbMaj7    # tonic: the 4th is in the key\n7 | Bdim7     # vii°7 of Cm7: G7♭9 without its root\n8 | Cm7       # ii of the ii–V to Bb\n8 | F7        # V7 of Bb: natural tensions\n\nsection: A2\n1 | BbMaj7    # tonic: the 4th is in the key\n1 | F7#5      # V7 of Bb: #11 and b13 from the symbol\n2 | BbMaj7    # tonic: the 4th is in the key\n2 | G7        # V7\u002Fii in Bb: the b13 is in the key\n3 | Cm7       # ii of the ii–V to Bb\n4 | F7        # V7 of Bb: natural tensions\n5 | BbMaj7    # tonic: the 4th is in the key\n6 | Gm7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7 | Am7       # ii of the ii–V to G minor\n8 | D7        # V7\u002Fvi in Bb: b9 and b13 are in the key\n\nsection: C\n1 | Gm7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n1 | Gbdim7    # passing diminished: F7♭9 without its F, the Bb7's dominant (Fm7 its ii)\n2 | Fm7       # ii of the ii–V to Eb\n2 | Bb7       # V7\u002FIV in Bb: natural tensions\n3 | EbMaj7    # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n4 | Edim7     # ♯IV°7 to I over its 5th: A7♭9 without its root, the ♯II°7's notes\n5 | BbMaj7\u002FF  # tonic: the 4th is in the key\n5 | Gm7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Cm7       # ii of the ii–V to Bb\n6 | F7        # V7 of Bb: natural tensions\n7 | Bb6       # tonic: the 4th is in the key\n8 | Cm7       # ii of the ii–V to Bb\n8 | F7        # V7 of Bb: natural tensions\n",1793575884248]