[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:but-not-for-me":3},"title: But Not For Me\ncomposer: George Gershwin\nstyle: Medium Up Swing\nkey: Eb\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1 | F7      # V7 of V7: the dominant of the dominant: natural tensions\nalt 1 | EbMaj7  # tonic: the 4th is in the key\nalt 1 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Bb7     # V7 of Eb: natural tensions\nalt 2 | Fm7     # ii of the ii–V to Eb\nalt 2 | Bb7     # V7 of Eb: natural tensions\n3 | EbMaj7  # tonic: the 4th is in the key\n3 | Ab7     # tritone substitute: resolves down a half step to Gm7\n4 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | C7      # extended dominant: each one falls a fifth into the next: natural tensions\n5 | F7      # V7 of V7: the dominant of the dominant: natural tensions\n6 | Bb7     # V7 of Eb: natural tensions\n7 | EbMaj7  # tonic: the 4th is in the key\n8 | Bbm7    # ii of the ii–V to Ab\n8 | Eb7     # V7\u002FIV in Eb: natural tensions\n\nsection: B\n1 | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n2 | Db7     # back door bVII7 to EbMaj7: the #11 is in the key\n3 | EbMaj7  # tonic: the 4th is in the key\n4 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5 | Fm7     # ii of Bb7: Dorian\n6 | Fm7\n7 | Fm7\n8 | Bb7     # V7\u002FI in Eb: natural tensions\n\nsection: A2\n1 | F7      # V7 of V7: the dominant of the dominant: natural tensions\nalt 1 | EbMaj7  # tonic: the 4th is in the key\nalt 1 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Bb7     # V7 of Eb: natural tensions\nalt 2 | Fm7     # ii of the ii–V to Eb\nalt 2 | Bb7     # V7 of Eb: natural tensions\n3 | EbMaj7  # tonic: the 4th is in the key\n3 | Ab7     # tritone substitute: resolves down a half step to Gm7\n4 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | C7      # extended dominant: each one falls a fifth into the next: natural tensions\n5 | F7      # V7 of V7: the dominant of the dominant: natural tensions\n6 | Bb7     # V7 of Eb: natural tensions\n7 | EbMaj7  # tonic: the 4th is in the key\n8 | Bbm7    # ii of the ii–V to Ab\n8 | Eb7     # V7\u002FIV in Eb: natural tensions\n\nsection: C\n1 | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n2 | Db7     # back door bVII7 to EbMaj7: the #11 is in the key\n3 | EbMaj7  # tonic: the 4th is in the key\n3 | Ab7     # tritone substitute: resolves down a half step to Gm7\n4 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | C7      # V7\u002Fii in Eb: the b13 is in the key\n5 | Fm7     # ii of the ii–V to Eb\n6 | Bb7     # V7 of Eb: natural tensions\n7 | Eb6     # tonic: the 4th is in the key\n8 | Eb6\n",1793575884183]