[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:bud-powell":3},"title: Bud Powell\ncomposer: Chick Corea\nstyle: Medium Up Swing\nkey: F\nform: AABCA, 54 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n# area: F major (A1 1–11)\n1  | FMaj7    # tonic: the 4th is in the key\n2  | Bm7b5    # #ivø7 in F: Locrian, its own mode (the chord is outside the key)\n2  | Bb7      # tritone substitute: resolves down a half step to Am7\n3  | Am7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | D7b9     # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n5  | Gm7      # ii: Dorian, the key’s own notes\n6  | Bbm7     # ii of Eb7: Dorian\n6  | Eb7      # tritone substitute: resolves down a half step to Dm7\n7  | Dm7      # ii of G7: Dorian\n8  | G7       # V7\u002FV in F: natural tensions\n8  | G#dim7   # vii°7 of Am7: E7♭9 without its root\n9  | Am7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n9  | D7       # V7\u002Fii in F: the b13 is in the key\n10 | Gm7      # ii: Dorian, the key’s own notes\n10 | Db7      # tritone substitute: resolves down a half step to C7\n10 | C7       # tritone substitute: resolves down a half step to B7\n11 | B7       # tritone substitute: resolves down a half step to Bb7\n11 | Bb7      # tritone substitute: resolves down a half step to A7\n11 | A7       # tritone substitute: resolves down a half step to Ab7\n# area: Db major (A1 12)\n12 | Ab7      # V7 of Db: natural tensions\n12 | DbMaj7   # tonic: the 4th is in the key\n# area: F major (A1 12 – A2 11)\n12 | C7#5     # V7 of F: #11 and b13 from the symbol; the repeat at A2 bar 12 would be C Altered\n\nsection: A2\ncopy: A1\n\nsection: B\n1  | F7b9     # V7 of Bb minor, the chain's last link: b9 and b13 are in the key\n2  | F7b9\n3  | Bbm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Bbmb6    # from the symbol: b6\n4  | Bbm6     # a minor sixth chord: Dorian\n4  | Bbmb6    # from the symbol: b6\n5  | Gm7b5    # iiø7 of C7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | C7b9     # V7\u002Fiii in Db: b9 and b13 are in the key\n7  | Em7      # ii of A7b9: Dorian\n7  | A7b9     # extended ii–V: a side-step, its own key; b9 from the symbol\n# area: B major (B 8 – C 9)\n8  | C#m7     # ii of the ii–V to B\n8  | F#7b9    # V7 of B: the b9 from the symbol\n\nsection: C\n1  | BMaj7    # tonic: the 4th is in the key\n2  | CMaj7\u002FB  # from the symbol: sus b9\n3  | BMaj7    # tonic: the 4th is in the key\n4  | CMaj7\u002FB  # from the symbol: sus b9\n5  | BMaj7    # tonic: the 4th is in the key\n6  | CMaj7\u002FB  # from the symbol: sus b9\n7  | Bbm7     # ii of Eb7: Dorian\n7  | Eb7      # extended ii–V: a side-step, its own key\n8  | Am7      # ii of D7: Dorian\n8  | D7       # extended ii–V: a side-step, its own key\n9  | Abm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n9  | Dbm7     # ii: Dorian, the key’s own notes\n# area: F major (C 10 – A3 11)\n10 | Gm7      # ii of the ii–V to F\n10 | C7       # V7 of F: natural tensions\n\nsection: A3\n1  | FMaj7    # tonic: the 4th is in the key\n2  | Bm7b5    # #ivø7 in F: Locrian, its own mode (the chord is outside the key)\n2  | Bb7      # tritone substitute: resolves down a half step to Am7\n3  | Am7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | D7b9     # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n5  | Gm7      # ii: Dorian, the key’s own notes\n6  | Bbm7     # ii of Eb7: Dorian\n6  | Eb7      # tritone substitute: resolves down a half step to Dm7\n7  | Dm7      # ii of G7: Dorian\n8  | G7       # V7\u002FV in F: natural tensions\n8  | G#dim7   # vii°7 of Am7: E7♭9 without its root\n9  | Am7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n9  | D7       # V7\u002Fii in F: the b13 is in the key\n10 | Gm7      # ii: Dorian, the key’s own notes\n10 | Db7      # tritone substitute: resolves down a half step to C7\n10 | C7       # tritone substitute: resolves down a half step to B7\n11 | B7       # tritone substitute: resolves down a half step to Bb7\n11 | Bb7      # tritone substitute: resolves down a half step to A7\n11 | A7       # tritone substitute: resolves down a half step to Ab7\n# area: Db major (A3 12)\n12 | Ab7      # V7 of Db: natural tensions\n12 | DbMaj7   # tonic: the 4th is in the key\n# area: F major (A3 12 – Coda 2)\n12 | C7#5     # V7 of F: #11 and b13 from the symbol\n@coda 12\n\nsection: Coda\n1  | C7#5     # extended dominant: V7 of F7#11; #11 and b13 from the symbol\n2  | F7#11    # I7 in F, not resolving: the #11 from the symbol\n@coda 1\n@nav 2 Fine\n",1793575884084]