[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:brother-can-you-spare-a-dime":3},"title: Brother Can You Spare A Dime\ncomposer: Yarburg, Gorney\nstyle: Slow Swing\nkey: Cm\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; C minor\n\nsection: Verse\noutside: yes\n# area: C minor (Verse 1–3)\n1  | Cm      # tonic minor: Dorian by convention\n2  | Fm      # iv: Dorian, the key’s own notes\n3  | Cm      # tonic minor: Dorian by convention\n# area: Eb major (Verse 4–5)\n4  | Fm7     # ii of the ii–V to Eb\n4  | Bb7     # V7 of Eb: natural tensions\n5  | Eb      # tonic: the 4th is in the key\n# area: C minor (Verse 6 – A2 8)\n6  | D7      # V7 of V7: the dominant of the dominant, on the way to C minor: b9 and b13 are in the key\n7  | D7\n8  | G7b9    # V7 of C minor, the chain's last link: b9 and b13 are in the key\n9  | G7b9\n10 | Cm      # tonic minor: Dorian by convention\n11 | Fm      # iv: Dorian, the key’s own notes\n11 | G7b9    # V7 of C minor: b9 and b13 are in the key\n@ending 1 6 8\n@ending 2 9 11\n\nsection: A1\n1  | Cm      # tonic minor: Dorian by convention\n1  | Cm\u002FEb   # tonic minor: Dorian by convention\n2  | G7\u002FD    # extended dominant: V7 of C7\u002FE\n2  | C7\u002FE    # extended dominant: V7 of F7\n3  | F7      # extended dominant: V7 of Bb7\n3  | Bb7     # V7\u002FbIII in C minor: natural tensions\n4  | EbMaj7  # bIII of C minor: the relative major itself\n4  | A7#11   # tritone substitute: resolves down a half step to Ab6\n5  | Ab6     # a non-tonic major chord: Lydian\n5  | G7      # V7 of C minor: b9 and b13 are in the key\n6  | Cm      # tonic minor: Dorian by convention\n6  | Bbm7    # ii of Eb7: Dorian\n6  | Eb7     # extended dominant: V7 of Ab7\n7  | Ab7     # tritone substitute: resolves down a half step to G7\n7  | G7      # V7 of C minor: b9 and b13 are in the key\n8  | Cm      # tonic minor: Dorian by convention\n8  | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | G7      # V7 of C minor: b9 and b13 are in the key\n9  | Cm      # tonic minor: Dorian by convention\n@ending 1 8\n@ending 2 9\n\nsection: B\n1  | C7      # I7 in C minor, not resolving: the b13 is in the key\n2  | Gm7b5   # iiø7 of C7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | C7b9    # V7\u002Fiv in C minor: the b13 is in the key, the b9 from the symbol\n3  | Gm7b5   # iiø7 of C7: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | C7      # extended dominant: V7 of F7\n5  | F7      # IV7 in C minor, not resolving: natural tensions\n6  | Cm7     # ii of F7: Dorian\n6  | F7      # V7\u002FbVII in C minor: natural tensions\n7  | Cm7     # ii of F7: Dorian\n7  | F7      # V7\u002FbVII in C minor: natural tensions\n8  | Ab7     # tritone substitute: resolves down a half step to G7b9\n8  | G7b9    # V7 of C minor: b9 and b13 are in the key\n\nsection: A2\n1  | Cm      # tonic minor: Dorian by convention\n1  | Cm\u002FEb   # tonic minor: Dorian by convention\n2  | G7\u002FD    # extended dominant: V7 of C7\u002FE\n2  | C7\u002FE    # extended dominant: V7 of F7\n3  | F7      # extended dominant: V7 of Bb7\n3  | Bb7     # V7\u002FbIII in C minor: natural tensions\n4  | EbMaj7  # bIII of C minor: the relative major itself\n4  | A7#11   # tritone substitute: resolves down a half step to Ab6\n5  | Ab6     # a non-tonic major chord: Lydian\n5  | G7      # V7 of C minor: b9 and b13 are in the key\n6  | Cm      # tonic minor: Dorian by convention\n6  | Bbm7    # ii of Eb7: Dorian\n6  | Eb7     # extended dominant: V7 of Ab7\n7  | Ab7     # tritone substitute: resolves down a half step to G7\n7  | G7      # V7 of C minor: b9 and b13 are in the key\n8  | Cm      # tonic minor: Dorian by convention\n",1793575884041]