[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:brilho-da-noite":3},"title: Brilho da Noite\ncomposer: Djavan\nstyle: Brazilian\nkey: D\nform: ABC, 32 bars\nrecording: Djavan; Milagreiro; Epic; 2001\nyoutube: 1ALyLQ7d9Kk\n# analysis: 2026-10-28, rules v2; D\n# recording: Epic \u002F Sony Music Brasil 2-502660 (2001), track 7; the composer's own first recording, rule 1; sources: Discogs; video: DjavanVEVO official audio (verified artist channel), Milagreiro, 5:03 against the CD's 5:05\n\nsection: A\n# area: D major (A 1 – B 4)\n1  | DMaj9   # tonic: the 4th is in the key\n1  | Fdim7   # passing diminished: E7♭9 without its E, the A7b9's dominant (Em9 its ii)\n2  | Em9     # ii of the ii–V to D\n2  | A7b9    # V7 of D: the b9 from the symbol\n3  | DMaj9   # tonic: the 4th is in the key\n3  | Fdim7   # passing diminished: E7♭9 without its E, the A7b9's dominant (Em9 its ii)\n4  | Em9     # ii of the ii–V to D\n4  | A7b9    # V7 of D: the b9 from the symbol\n5  | DMaj9   # tonic: the 4th is in the key\n5  | Fdim7   # passing diminished: E7♭9 without its E, the A7b9's dominant (Em9 its ii)\n6  | Em9     # ii of the ii–V to D\n6  | A7b9    # V7 of D: the b9 from the symbol\n7  | DMaj9   # tonic: the 4th is in the key\n7  | Fdim7   # passing diminished: E7♭9 without its E, the A7b9's dominant (Em9 its ii)\n8  | Em9     # ii of the ii–V to D\n8  | A7b9    # V7 of D: the b9 from the symbol\n9  | DMaj9   # tonic: the 4th is in the key\n9  | Fdim7   # passing diminished: E7♭9 without its E, the A7b9's dominant (Em9 its ii)\n10 | Em9     # ii of the ii–V to D\n10 | A7b9    # V7 of D: the b9 from the symbol\n11 | DMaj9   # tonic: the 4th is in the key\n11 | Fdim7   # passing diminished: E7♭9 without its E, the A7b9's dominant (Em9 its ii)\n12 | Em9     # ii of the ii–V to D\n12 | A7b9    # V7 of D: the b9 from the symbol\n13 | DMaj9   # tonic: the 4th is in the key\n13 | Fdim7   # passing diminished: E7♭9 without its E, the A7b9's dominant (Em9 its ii)\n14 | Em9     # ii of A7b9: Dorian\n14 | A7b9    # V7\u002FI in D: the b9 from the symbol\n\nsection: B\n1  | Gm7     # iv7 from the parallel minor: Dorian, its notes\n2  | DMaj9   # tonic: the 4th is in the key\n3  | Gm7     # iv7 from the parallel minor: Dorian, its notes\n4  | DMaj9   # tonic: the 4th is in the key\n# area: F# major (B 5–6)\n5  | G#m7b5  # iiø7 of F#: Locrian, the key's own notes (its ♭2 is a passing note)\n5  | C#7b9   # V7 of F#: the b9 from the symbol\n6  | F#Maj7  # tonic: the 4th is in the key\n6  | Gdim7   # passing diminished: F#7♭9 without its F#, the Bm7's dominant; not functioning diatonically: the symmetric scale\n# area: D major (B 7 – C 7)\n7  | Bm7     # ii of E7: Dorian\n7  | E7      # V7\u002FV in D: natural tensions\n8  | Em7     # ii of the ii–V to D\n8  | A7b9    # V7 of D: the b9 from the symbol\n\nsection: C\n1  | DMaj9   # tonic: the 4th is in the key\n1  | Fdim7   # passing diminished: E7♭9 without its E, the A7b9's dominant (Em9 its ii)\n2  | Em9     # ii of the ii–V to D\n2  | A7b9    # V7 of D: the b9 from the symbol\n3  | DMaj9   # tonic: the 4th is in the key\n3  | Fdim7   # passing diminished: E7♭9 without its E, the A7b9's dominant (Em9 its ii)\n4  | Em9     # ii of the ii–V to D\n4  | A7b9    # V7 of D: the b9 from the symbol\n5  | DMaj9   # tonic: the 4th is in the key\n5  | Fdim7   # passing diminished: E7♭9 without its E, the A7b9's dominant (Em9 its ii)\n6  | Em9     # ii of A7b9: Dorian\n6  | A7b9    # V7\u002FI in D: the b9 from the symbol\n7  | Am7     # ii of the ii–V to G minor\n7  | D9      # V7\u002Fiv in D: natural tensions\n# area: F major (C 8–9)\n8  | Gm7     # ii of the ii–V to F\n8  | C9      # V7 of F: natural tensions\n9  | FMaj7   # tonic: the 4th is in the key\n9  | BbMaj7  # IV: the #4 is the key’s 7th\n# area: D major (C 10)\n10 | Em7     # ii of the ii–V to D\n10 | A13     # V7 of D: natural tensions\n",1793484798468]