[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:brians-song":3},"title: Brian’s Song\ncomposer: Michel Legrand, Berman\nstyle: Medium Swing\nkey: A\nform: A, 36 bars\naka: The Hands of Time\n# analysis: 2026-10-31, rules v2; A\n\nsection: A\n1  | A       # tonic: the 4th is in the key\n1  | A\u002FG#    # tonic: the 4th is in the key\n2  | D\u002FF#    # IV: the #4 is the key’s 7th\n2  | E7\u002FG#   # V7 of A: natural tensions\n3  | A       # tonic: the 4th is in the key\n3  | A\u002FG#    # tonic: the 4th is in the key\n4  | D\u002FF#    # IV: the #4 is the key’s 7th\n4  | E7\u002FG#   # V7 of A: natural tensions\n5  | A       # tonic: the 4th is in the key\n5  | A\u002FG#    # tonic: the 4th is in the key\n6  | F#m7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | F#m7\u002FE  # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | Dsus    # static sus: Mixolydian\n7  | DMaj7   # IV: the #4 is the key’s 7th\n8  | Bm7\u002FE   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n8  | E7      # V7 of A: natural tensions\n9  | A       # tonic: the 4th is in the key\n9  | A\u002FG#    # tonic: the 4th is in the key\n10 | D\u002FF#    # IV: the #4 is the key’s 7th\n10 | E7\u002FG#   # V7 of A: natural tensions\n11 | A       # tonic: the 4th is in the key\n11 | A\u002FG#    # tonic: the 4th is in the key\n12 | F#m6    # a minor sixth chord: Dorian\n13 | C#m7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n14 | F#m7    # ii of B7sus: Dorian\n15 | B7sus   # II7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n15 | B7      # V7 of V7: the dominant of the dominant: natural tensions\n16 | E7      # V7 in A, not resolving: natural tensions\n17 | Em7     # a borrowed minor chord: Dorian, its own key\n18 | E       # V without its 7th: Mixolydian, the key’s own notes\n19 | Em7     # a borrowed minor chord: Dorian, its own key\n20 | Bm7     # ii: Dorian, the key’s own notes\n20 | Bm7\u002FA   # ii: Dorian, the key’s own notes\n21 | G       # ♭VII, borrowed from A minor: Lydian (its ♯11 is in the key)\n22 | Bsus    # static sus: Mixolydian\n22 | B       # a non-tonic major chord: Lydian\n23 | Bm7\u002FA   # ii: Dorian, the key’s own notes\n23 | E\u002FG#    # V without its 7th: Mixolydian, the key’s own notes\n24 | D\u002FF#    # IV: the #4 is the key’s 7th\n24 | Bm7\u002FE   # static sus: Mixolydian\n25 | Bm7\u002FE\n26 | Bm7\u002FE\n27 | Bm7\u002FE\n28 | Bm7\u002FE\n29 | A       # tonic: the 4th is in the key\n29 | A\u002FG#    # tonic: the 4th is in the key\n30 | D\u002FF#    # IV: the #4 is the key’s 7th\n30 | E7\u002FG#   # V7 of A: natural tensions\n31 | A       # tonic: the 4th is in the key\n31 | A\u002FG#    # tonic: the 4th is in the key\n32 | Em\u002FA    # ii of the ii–V to D\n32 | A9      # V7\u002FIV in A: natural tensions\n33 | DMaj7   # the A9 before it makes D the key of the moment: the 4th is in the key\n34 | A\u002FC#    # tonic: the 4th is in the key\n34 | F#m7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n35 | Bm7     # ii of the ii–V to A\n35 | E7      # V7 of A: natural tensions\n36 | A       # tonic: the 4th is in the key\n",1793575883917]