[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:breakfast-wine":3},"title: Breakfast Wine\ncomposer: Randy Aldcroft\nstyle: Medium up\nkey: Bb\nform: AABCD + Interlude, 98 bars\nrecording: Bobby Shew Quartet; Breakfast Wine; Pausa; 1985\n# analysis: 2026-10-19, rules v2; Bb\n# recording: recorded September 1983, Los Angeles, Bobby Shew (trumpet, flugelhorn) with Makoto Ozone, John Patitucci, Sherman Ferguson, Pausa PR 7171, the title track; the chart follows Shew's version (Randy Aldcroft's tune); sources: Discogs, All About Jazz; no video: no official upload\n# as played by Bobby Shew\n# the Bb and Eb chords falling on beat 3 in the head are played on beat 1 for solos (the book's (Bb) on beat 1);\n# in the head the slash chord comes on the and of 3 and is tied into the next bar\n# B and D are in 2\n# solo on the form (AABCD); after solos D.S. al Coda (to the Coda from the end of D)\n\n# bar | chord\n\nsection: Intro\nbars: 4\n1  | Bb         # tonic: the 4th is in the key\n1  | Ebm6\u002FBb    # a minor sixth chord: Dorian\n2  | Bb         # tonic: the 4th is in the key\n2  | Ebm6\u002FBb    # a minor sixth chord: Dorian\n\nsection: A\n# the intro vamps (etc.)\n@segno 1\n1  | Bb         # tonic: the 4th is in the key\n1  | Ebm6\u002FBb    # a minor sixth chord: Dorian\n3  | Bb         # tonic: the 4th is in the key\n3  | Ebm6\u002FBb    # a minor sixth chord: Dorian\n5  | Bb         # tonic: the 4th is in the key\n5  | Ebm6\u002FBb    # a minor sixth chord: Dorian\n7  | Bb         # tonic: the 4th is in the key\n7  | Ebm6\u002FBb    # a minor sixth chord: Dorian\n9  | Bb         # tonic: the 4th is in the key\n9  | Ebm6\u002FBb    # a minor sixth chord: Dorian\n# alt: bar 10 beat 3 (Ebm6\u002FA)\n11 | Gm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n12 | BbMaj9\u002FF   # tonic: the 4th is in the key\n13 | EbMaj7     # IV: the #4 is the key’s 7th\n13 | Eb         # IV: the #4 is the key’s 7th\n13 | Abm6\u002FEb    # a minor sixth chord: Dorian\n# bar 13: EbMaj7 pushed in on the and of 4 of bar 12; Eb on beat 3, Abm6\u002FEb on the and of 3\n15 | Eb         # IV: the #4 is the key’s 7th\n15 | Abm6\u002FEb    # a minor sixth chord: Dorian\n17 | Eb         # IV: the #4 is the key’s 7th\n17 | G13        # VI7 in Bb, not resolving: the 13 from the symbol\n18 | G7#5       # V7\u002Fii in Bb: the b13 is in the key, the #11 from the symbol\n# bar 18: G7#5 on beat 3\n@ending 1 15 16\n@ending 2 17 18\n\nsection: B\nbars: 18\n1  | Cm7        # ii: Dorian, the key’s own notes\n2  | EbMaj9\u002FBb  # IV: the #4 is the key’s 7th\n3  | Am7b5      # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | D7#9       # V7\u002Fvi in Bb: the b13 is in the key, b9, #9 and #11 from the symbol\n5  | Gm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Gm7\u002FF      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | Em7b5      # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | A7#9       # V7\u002Fiii in Bb: the b13 is in the key, b9, #9 and #11 from the symbol\n9  | Dm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | EbMaj9#11  # from the symbol: #11\n11 | Dm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | EbMaj9#11  # from the symbol: #11\n13 | Dm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n14 | G13        # extended ii–V: a side-step, its own key\n14 | G7#5       # extended dominant: V7 of C9sus4; #11 and b13 from the symbol\n# bars 10, 12, 14: the chord is pushed in on the and of 4 of the bar before; bar 14: G7#5 on beat 4\n15 | C9sus4     # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n17 | F9sus4     # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n\nsection: C\nbars: 16\n1  | Bb         # tonic: the 4th is in the key\n1  | Ebm6\u002FBb    # a minor sixth chord: Dorian\n3  | Bb         # tonic: the 4th is in the key\n3  | Ebm6\u002FBb    # a minor sixth chord: Dorian\n5  | Bb         # tonic: the 4th is in the key\n5  | Ebm6\u002FBb    # a minor sixth chord: Dorian\n7  | Bb         # tonic: the 4th is in the key\n7  | Ebm6\u002FBb    # a minor sixth chord: Dorian\n9  | Bb         # tonic: the 4th is in the key\n9  | Ebm6\u002FBb    # a minor sixth chord: Dorian\n# alt: bar 10 beat 3 (Ebm6\u002FA)\n11 | Gm7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n12 | BbMaj9\u002FF   # tonic: the 4th is in the key\n13 | EbMaj7     # IV: the #4 is the key’s 7th\n13 | Eb         # IV: the #4 is the key’s 7th\n13 | Abm6\u002FEb    # a minor sixth chord: Dorian\n# bar 13: EbMaj7 pushed in on the and of 4 of bar 12\n15 | Eb         # IV: the #4 is the key’s 7th\n15 | G7#5       # V7\u002Fii in Bb: the b13 is in the key, the #11 from the symbol\n\nsection: D\n1  | Cm7        # ii: Dorian, the key’s own notes\n2  | Cm7\u002FBb     # ii: Dorian, the key’s own notes\n3  | Am7b5      # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | D7#5#9     # V7\u002Fvi in Bb: the b13 is in the key, b9, #9 and #11 from the symbol\n5  | Gm11       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Gm11\u002FF     # ii of C9\u002FE: Dorian\n# bars 5–6, 11: printed Gm7(add11), \u002FF, Cm7(add11): add11 is not in the chord syntax, written m11\n7  | C9\u002FE       # V7\u002FV in Bb: natural tensions\n8  | Ebm6       # a minor sixth chord: Dorian\n9  | Dm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | G7#5       # V7\u002Fii in Bb: the b13 is in the key, the #11 from the symbol\n11 | Cm11       # ii of the ii–V to Bb\n12 | F13        # V7 of Bb: natural tensions\n@coda 12\n\nsection: Interlude\n1  | Bb         # tonic: the 4th is in the key\n1  | Ebm6\u002FBb    # a minor sixth chord: Dorian\n2  | Bb         # tonic: the 4th is in the key\n2  | Ebm6\u002FBb    # a minor sixth chord: Dorian\n3  | Bb         # tonic: the 4th is in the key\n3  | Ebm6\u002FBb    # a minor sixth chord: Dorian\n4  | Bb         # tonic: the 4th is in the key\n4  | Ebm6\u002FBb    # a minor sixth chord: Dorian\n@nav 4 D.S. al Coda\n\nsection: Coda\nbars: 4\n@coda 1\n1  | Bb         # tonic: the 4th is in the key\n1  | Ebm6\u002FBb    # a minor sixth chord: Dorian\n2  | Bb         # tonic: the 4th is in the key\n2  | Ebm6\u002FBb    # a minor sixth chord: Dorian\n# bars 1–2 vamp till cue\n3  | BbMaj7#11  # from the symbol: #11\n",1793484798454]