[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:brazilian-suite":3},"title: Brazilian Suite\ncomposer: Michel Petrucciani\nstyle: Bossa Nova\nkey: Bbm\nform: AA, 80 bars\n# analysis: 2026-10-31, rules v2; Bb minor\n\nsection: Intro1\n# area: Bb minor (Intro1 1 – A1 7)\n1  | Abm7       # a borrowed minor chord: Dorian, its own key\n2  | Ebm7       # iv: Dorian, the key’s own notes\n3  | Abm7       # a borrowed minor chord: Dorian, its own key\n4  | Ebm7       # iv: Dorian, the key’s own notes\n\nsection: Intro2\ncopy: Intro1\n\nsection: A1\n1  | Abm7       # a borrowed minor chord: Dorian, its own key\n2  | Abm7\u002FGb    # a borrowed minor chord: Dorian, its own key\n3  | EMaj7#11   # from the symbol: #11\n4  | Ebm7       # iv: Dorian, the key’s own notes; the repeat at A2 bar 4 would be Eb Phrygian\n5  | Dbm7       # a borrowed minor chord: Dorian, its own key\n6  | Eb7b9      # tritone substitute: resolves down a half step to D7b5; b9 from the symbol\n7  | D7b5       # tritone substitute: resolves down a half step to Db7\n# area: C major (A1 8–10)\n8  | Db7        # tritone substitute: resolves down a half step to CMaj7#5\n9  | CMaj7#5    # from the symbol: #5\n10 | B7         # tritone substitute: resolves down a half step to Bb7b9\n# area: Ab minor (A1 11–18)\n11 | Bb7b9      # V7 of V7: the dominant of the dominant, on the way to Ab minor: b9 and b13 are in the key\n12 | Eb7#9      # V7 of Ab minor, the chain's last link: the b13 is in the key, b9, #9 and #11 from the symbol\n13 | Abm7       # tonic minor: Dorian by convention\n14 | Eb7b9      # V7 of Ab minor: b9 and b13 are in the key\n15 | Abm7       # tonic minor: Dorian by convention\n16 | B7\u002FF#      # bIII7 in Ab minor, not resolving: natural tensions\n17 | Fm7b5      # iiø7 of Bb7: Locrian, the key's own notes (its ♭2 is a passing note)\n18 | Bb7        # V7\u002Fv in Ab minor: b9 and b13 are in the key\n# area: D major (A1 19–21)\n19 | Em7        # ii of the ii–V to D\n20 | A7         # V7 of D: natural tensions\n21 | DMaj7      # tonic: the 4th is in the key\n# area: Bb minor (A1 22–24)\n22 | Ebm7       # ii of the ii–V to Db\n22 | Ab7        # V7\u002FbIII in Bb minor: natural tensions\n23 | DbMaj7     # bIII of Bb minor: the relative major itself\n24 | Bbm7       # tonic minor: Dorian by convention\n# area: Db major (A1 25–29)\n25 | Ebm7       # ii of the ii–V to Db\n26 | Ab7        # V7 of Db: natural tensions\n27 | DbMaj7     # tonic: the 4th is in the key\n28 | Bbm7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n29 | EbMaj7#11  # from the symbol: #11\n# area: Ab minor (A1 30 – A2 7)\n30 | Eb7        # V7 of Ab minor: b9 and b13 are in the key\n31 | Abm7       # tonic minor: Dorian by convention\n32 | Abm7\u002FGb    # tonic minor: Dorian by convention\n33 | EbMaj7#11  # from the symbol: #11\n34 | Ebm7       # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n35 | Dbm7       # iv: Dorian, the key’s own notes\n36 | Eb7b9      # V7 of Ab minor: b9 and b13 are in the key\n37 | Abm7       # tonic minor: Dorian by convention\n38 | Ebm7       # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n39 | Abm7       # tonic minor: Dorian by convention\n40 | Ebm7       # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n\nsection: A2\ncopy: A1\n\nsection: Coda\n1  | Ebm7       # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n2  | DbMaj7     # a non-tonic major chord: Lydian\n3  | DbMaj7\n@coda 1\n",1793575883894]