[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:brakes-sake":3},"title: Brake's Sake\ncomposer: Thelonious Monk\nstyle: Medium Swing\nkey: G\nform: AABA, 34 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A1\n1  | D7    # V7 of the G6 before it: natural tensions\n1  | D\u002FEb  # V without its 7th: Mixolydian, the key’s own notes\n2  | D\u002FE   # V without its 7th: Mixolydian, the key’s own notes\n2  | D\u002FF   # V without its 7th: Mixolydian, the key’s own notes\n3  | C\u002FD   # IV: the #4 is the key’s 7th\n3  | D7b9  # V7 in G, not resolving: the b9 from the symbol\n4  | D7b9\n5  | D7    # V7 in G, not resolving: natural tensions\n5  | D\u002FEb  # V without its 7th: Mixolydian, the key’s own notes\n6  | D\u002FE   # V without its 7th: Mixolydian, the key’s own notes\n6  | D\u002FF   # V without its 7th: Mixolydian, the key’s own notes\n7  | C\u002FD   # IV: the #4 is the key’s 7th\n7  | D7b9  # V7 in G, not resolving: the b9 from the symbol\n8  | D7b9\n\nsection: A2\ncopy: A1\n\nsection: B\n1  | G7    # extended dominant: V7 of C13\n2  | G7\n3  | C13   # IV7 in G, not resolving: the #11 is in the key\n4  | Db13  # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n5  | Ab13  # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n6  | F#7   # extended dominant: V7 of B7\n6  | B7    # III7 in G, not resolving: b9 and b13 are in the key\n7  | Eb7   # extended dominant: V7 of Ab7\n7  | Ab7   # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n8  | Ab7\n\nsection: A3\n1  | D7    # V7 in G, not resolving: natural tensions\n1  | D\u002FEb  # V without its 7th: Mixolydian, the key’s own notes\n2  | D\u002FE   # V without its 7th: Mixolydian, the key’s own notes\n2  | D\u002FF   # V without its 7th: Mixolydian, the key’s own notes\n3  | C\u002FD   # IV: the #4 is the key’s 7th\n3  | D7b9  # V7 in G, not resolving: the b9 from the symbol\n4  | C\u002FD   # IV: the #4 is the key’s 7th\n4  | D7b9  # V7 of G: the b9 from the symbol\n5  | G6    # tonic: the 4th is in the key\n6  | G6\n6  | Ab7   # tritone substitute: resolves down a half step to G6\n7  | G6    # tonic: the 4th is in the key\n8  | G6\n8  | Ab7   # tritone substitute: resolves down a half step to G6\n9  | G6    # tonic: the 4th is in the key\n10 | G6\n",1793575883825]