[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:born-to-be-blue":3},"title: Born To Be Blue\ncomposer: Wells, Torme\nstyle: Ballad\nkey: C\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n# area: C major (A1 1–3)\n1  | C7      # I7 in C, not resolving: natural tensions\n1  | Db7#11  # tritone substitute: resolves down a half step to C7\n2  | C7      # I7 in C, not resolving: natural tensions\n2  | Gb7#11  # tritone substitute: resolves down a half step to F7\n3  | F7      # IV7 in C, not resolving: the #11 is in the key\n# area: Ab major (A1 3–9)\n3  | Eb7     # V7 of Ab: natural tensions\n4  | AbMaj7  # tonic: the 4th is in the key\n4  | G7#5    # V7\u002Fiii in Ab: b9 and b13 are in the key, the #11 from the symbol\n5  | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | Db7#11  # tritone substitute: resolves down a half step to Cm7\n6  | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | F7      # extended ii–V: a side-step, its own key\n7  | Fm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | D7#9#5  # a chromatic dominant with nowhere to go: Lydian Dominant, its own key; b9, #9 and b13 from the symbol\n8  | Dm7b5   # iiø7 of G7: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | G7      # V7\u002Fiii in Ab: b9 and b13 are in the key\n9  | Fm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n9  | Ab7     # tritone substitute: resolves down a half step to G7\n# area: C major (A1 9 – B 2)\n9  | G7      # V7 of C: natural tensions\n10 | C6      # tonic: the 4th is in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Abm7    # ii of Db7: Dorian\n1  | Db7     # extended ii–V: a side-step, its own key\n2  | Abm7    # ii of Db7: Dorian\n2  | Db7     # extended ii–V: a side-step, its own key\n# area: Gb major (B 3–6)\n3  | Abm7    # ii of the ii–V to Gb\n3  | Db7     # V7 of Gb: natural tensions\n4  | GbMaj7  # tonic: the 4th is in the key\n5  | C#m7    # ii of the ii–V to B\n5  | F#7     # V7\u002FIV in Gb: natural tensions\n6  | BMaj7   # the F#7 before it makes B the key of the moment: the 4th is in the key\n6  | G#m7    # ii: Dorian, the key’s own notes\n# area: Eb major (B 7 – A2 7)\n7  | Fm7     # ii of the ii–V to Eb\n7  | Bb7     # V7 of Eb: natural tensions\n8  | EbMaj7  # tonic: the 4th is in the key\n8  | Dm7b5   # iiø7 of G7: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | G7      # extended dominant: V7 of C7\n\nsection: A2\n1  | C7      # VI7 in Eb, not resolving: the b13 is in the key\n1  | Db7#11  # tritone substitute: resolves down a half step to C7\n2  | C7      # VI7 in Eb, not resolving: the b13 is in the key\n2  | Gb7#11  # tritone substitute: resolves down a half step to F7\n3  | F7      # II7 in Eb, not resolving: natural tensions\n3  | Eb7     # V7\u002FIV in Eb: natural tensions\n4  | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n4  | G7#5    # V7\u002Fvi in Eb: b9 and b13 are in the key, the #11 from the symbol\n5  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | Db7#11  # tritone substitute: resolves down a half step to Cm7\n6  | Cm7     # ii of F7: Dorian\n6  | F7      # V7\u002FV in Eb: natural tensions\n7  | Fm7     # ii: Dorian, the key’s own notes\n7  | Ab7     # tritone substitute: resolves down a half step to G7\n# area: C major (A2 7–8)\n7  | G7      # V7 of C: natural tensions\n8  | C6      # tonic: the 4th is in the key\n8  | Db7#11  # tritone substitute: resolves down a half step to C7\n",1793575883749]