[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:boplicity":3},"title: Boplicity\ncomposer: Cleo Henry\nstyle: Medium Swing\nkey: F\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n# area: F major (A1 1 – B 6)\n1 | Gm7       # ii: Dorian, the key’s own notes\n1 | FMaj7     # tonic: the 4th is in the key\n2 | Gm7       # ii of the ii–V to F\n2 | C7        # V7 of F: natural tensions\n3 | FMaj7     # tonic: the 4th is in the key\n4 | Cm7       # ii of the ii–V to Bb\n4 | F7#5      # V7\u002FIV in F: #11 and b13 from the symbol\n5 | BbMaj7    # the F7#5 before it makes Bb the key of the moment: the 4th is in the key\n6 | Gm7\u002FC     # static sus: Mixolydian\n7 | Gm7\u002FC\n7 | C7sus     # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n8 | FMaj7#11  # from the symbol: #11\n\nsection: A2\ncopy: A1\n\nsection: B\n1 | Cm7       # ii of F7#5: Dorian\n1 | F7#5      # V7\u002FIV in F: #11 and b13 from the symbol\n2 | Cm7       # a borrowed minor chord: Dorian, its own key\n2 | B7        # tritone substitute: resolves down a half step to BbMaj7\n3 | BbMaj7    # the B7 before it makes Bb the key of the moment: the 4th is in the key\n4 | BbMaj7\n5 | Bbm7      # ii of Eb7#5: Dorian\n5 | Eb7#5     # extended ii–V: a side-step, its own key; #11 and b13 from the symbol\n6 | Bbm7      # iv7 from the parallel minor: Dorian, its notes\n# area: Ab major (B 6–7)\n6 | A7        # tritone substitute: resolves down a half step to AbMaj7\n7 | AbMaj7    # tonic: the 4th is in the key\n7 | Abm7      # a borrowed minor chord: Dorian, its own key\n# area: F major (B 8 – A3 8)\n8 | Gm7       # ii of C7: Dorian\n8 | C7        # V7\u002FI in F: natural tensions\n\nsection: A3\n1 | Gm7       # ii: Dorian, the key’s own notes\n1 | FMaj7     # tonic: the 4th is in the key\n2 | Gm7       # ii of the ii–V to F\n2 | C7        # V7 of F: natural tensions\n3 | FMaj7     # tonic: the 4th is in the key\n4 | Cm7       # ii of the ii–V to Bb\n4 | F7#5      # V7\u002FIV in F: #11 and b13 from the symbol\n5 | BbMaj7    # the F7#5 before it makes Bb the key of the moment: the 4th is in the key\n6 | Gm7\u002FC     # static sus: Mixolydian\n7 | Gm7\u002FC\n7 | C7sus     # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n8 | FMaj7#11  # from the symbol: #11\n",1793575883735]