[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:body-and-soul":3},"title: Body and Soul\ncomposer: Johnny Green\nstyle: Ballad\nkey: Db\nform: AABC\nrecording: Coleman Hawkins; Body and Soul: A Jazz Autobiography; RCA Victor; 1964\nyoutube: LuNrVHCBSjE\n# analysis: 2026-10-19, rules v2; Db\n# recording: recorded 1939-10-11, New York, Coleman Hawkins and His Orchestra (Gene Rodgers, piano), matrix BS-042936-1; first issued on 78 (Bluebird B-10523, with Fine Dinner), LP 1964 (LPV-501, the only LP issue DAHR lists for the matrix); songbook standard → the jazz reference (National Recording Registry, 2004); sources: DAHR, Wikipedia; video: \"Provided to YouTube by RCA Victor - Victor Jazz\", Body & Soul, the 1939 take\n\n# bar | chord | scale\n\nsection: A1\n# area: Db major (A1 1 – A2 8)\n1 | Ebm       # ii: Dorian, the key’s own notes\n1 | Bb7b9     # V7\u002Fii in Db: the b13 is in the key, the b9 from the symbol\n2 | Ebm7      # ii of the ii–V to Db\n2 | Ab7       # V7 of Db: natural tensions\n3 | DbMaj7    # tonic: the 4th is in the key\n3 | Gb7       # tritone substitute: resolves down a half step to Fm\n4 | Fm        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | Edim7     # passing diminished: a rootless dominant ♭9\n5 | Ebm       # ii: Dorian, the key’s own notes\n5 | Ebm\u002FDb    # ii: Dorian, the key’s own notes\n6 | Cm7b5     # iiø7 of Bb minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | F7b9      # V7\u002Fvi in Db: b9 and b13 are in the key\n7 | Bbm       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7 | Ebm7      # ii of the ii–V to Db\n7 | Ab7       # V7 of Db: natural tensions\n8 | DbMaj7    # tonic: the 4th is in the key\n8 | Bb7b9     # V7\u002Fii in Db: the b13 is in the key, the b9 from the symbol\n\nsection: A2\n1 | Ebm       # ii: Dorian, the key’s own notes\n1 | Bb7b9     # V7\u002Fii in Db: the b13 is in the key, the b9 from the symbol\n2 | Ebm7      # ii of the ii–V to Db\n2 | Ab7       # V7 of Db: natural tensions\n3 | DbMaj7    # tonic: the 4th is in the key\n3 | Gb7       # tritone substitute: resolves down a half step to Fm\n4 | Fm        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | Edim7     # passing diminished: a rootless dominant ♭9\n5 | Ebm       # ii: Dorian, the key’s own notes\n5 | Ebm\u002FDb    # ii: Dorian, the key’s own notes\n6 | Cm7b5     # iiø7 of Bb minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | F7b9      # V7\u002Fvi in Db: b9 and b13 are in the key\n7 | Bbm       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7 | Ebm7      # ii of the ii–V to Db\n7 | Ab7       # V7 of Db: natural tensions\n8 | DbMaj7    # tonic: the 4th is in the key\n# area: D major (A2 8 – B 8)\n8 | Em7       # ii of the ii–V to D\n8 | A7        # V7 of D: natural tensions\n\nsection: B\n1 | DMaj7     # tonic: the 4th is in the key\n1 | Em7       # ii: Dorian, the key’s own notes\n2 | DMaj7\u002FF#  # tonic: the 4th is in the key\n2 | Gm7       # ii of C7: Dorian\n2 | C7        # extended ii–V: a side-step, its own key\n3 | F#m7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | B7        # V7\u002Fii in D: the b13 is in the key\n3 | Em7       # ii of the ii–V to D\n3 | A7        # V7 of D: natural tensions\n4 | DMaj7     # tonic: the 4th is in the key\n5 | Dm7       # ii of G7: Dorian\n5 | G7        # extended ii–V: a side-step, its own key\n6 | Em7       # ii: Dorian, the key’s own notes\n6 | Ebdim7    # passing diminished: D7♭9 without its D, the G7's dominant; not functioning diatonically: the symmetric scale\n7 | Dm7       # ii of G7: Dorian\n7 | G7        # extended dominant: V7 of C7\n8 | C7        # tritone substitute: resolves down a half step to B7\n8 | B7        # tritone substitute: resolves down a half step to Bb7\n8 | Bb7       # ♭VI7 from the parallel minor: Lydian Dominant\n# area: Db major (B 8 – C 8)\n8 | E7        # tritone substitute: resolves down a half step to Ebm\n\nsection: C\ncopy: A1\n",1793484798368]