[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:blues-in-the-night":3},"title: Blues In The Night\ncomposer: Harold Arlen\nstyle: Slow Swing\nkey: G\nform: AABB, 40 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A1\n1  | G7   # extended dominant: V7 of C7\n2  | C7   # IV7 in G, not resolving: the #11 is in the key\n3  | G7   # extended dominant: V7 of C7\n4  | G7\n5  | C7   # IV7 in G, not resolving: the #11 is in the key\n6  | C7\n7  | G7   # I7 in G, not resolving: natural tensions\n8  | G7\n9  | D7   # V7 in G, not resolving: natural tensions\n10 | Eb7  # tritone substitute: resolves down a half step to D7\n10 | D7   # extended dominant: V7 of G7\n11 | G7   # extended dominant: V7 of C7\n11 | C7   # IV7 in G, not resolving: the #11 is in the key\n12 | G7   # extended dominant: V7 of C7\n@coda 12\n\nsection: A2\ncopy: A1\n\nsection: B\n1  | C7   # extended dominant: V7 of F7\n2  | F7   # extended dominant: V7 of Bb7\n3  | Bb7  # extended dominant: V7 of Eb7\n4  | Eb7  # ♭VI7 from the parallel minor: Lydian Dominant\n5  | Bb7  # tritone substitute: resolves down a half step to A7\n6  | A7   # V7 of V7: the dominant of the dominant: natural tensions\n7  | D7   # tritone substitute: resolves down a half step to Db7\n8  | Db7  # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n8  | D7   # V7 in G, not resolving: natural tensions\n9  | Bm7  # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n9  | E7   # V7\u002Fii in G: the b13 is in the key\n10 | Am7  # ii of D7: Dorian\n10 | D7   # extended dominant: V7 of G7\n@nav 10 D.C. al Coda\n@ending 1 7 8\n@ending 2 9 10\n\nsection: Coda\n1  | A7   # II7 in G, not resolving: natural tensions\n1  | Db7  # tritone substitute: resolves down a half step to C7\n2  | C7   # IV7 in G, not resolving: the #11 is in the key\n3  | Eb7  # tritone substitute: resolves down a half step to D7\n3  | D7   # V7 of G: natural tensions\n4  | G6   # tonic: the 4th is in the key\n@coda 1\n",1793575883512]