[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:blues-connotation":3},"title: Blues Connotation\ncomposer: Ornette Coleman\nstyle: Up\nkey: Bb\nform: A, 12 bars\nrecording: Ornette Coleman; This Is Our Music; Atlantic; 1961\nyoutube: NwEoe84X99c\n# analysis: 2026-10-22, rules v2; Bb, blues\n# recording: recorded 1960-07-19, NYC, Don Cherry, Ornette Coleman, Charlie Haden, Ed Blackwell, matrix 4727 (as Untitled No. 5), Atlantic LP 1353; the composer's own first recording (not \"P.S. Unless One Has (Blues Connotation No. 2)\", a different piece) (jazzdisco); video: \"Provided to YouTube by Rhino Atlantic\", The Atlantic Years, the same take\n# chords suggested only (no chordal instrument on the recording)\n# the pickup bar is a melodic figure with no chords\n# solos in Bb, disregarding the form; after solos the head, then from bar 11 to the Coda\n\n# bar | chord\n\nsection: A\nbars: 16\n1  | Bb7  # I7 of the blues: a tonic with dominant color, Mixolydian\n2  | Eb7  # IV7 of the blues: a subdominant with dominant color, Mixolydian (the #11 is an extra color)\n3  | Bb7  # I7 of the blues: a tonic with dominant color, Mixolydian\n5  | Eb7  # IV7 of the blues: a subdominant with dominant color, Mixolydian (the #11 is an extra color)\n7  | Bb7  # I7 of the blues: a tonic with dominant color, Mixolydian\n9  | Cm7  # ii of F7: Dorian\n10 | F7   # extended dominant: V7 of Bb7\n11 | Bb7  # I7 of the blues: a tonic with dominant color, Mixolydian\n12 | F7   # V7 of the blues: a dominant that needn’t resolve, Mixolydian\n# bar 12: F7 on beat 3 (Bb7 continues on beats 1–2)\n13 | Bb7  # I7 of the blues: a tonic with dominant color, Mixolydian\n@ending 1 12\n@ending 2 13\n@coda 11\n@time 11 2\u002F4\n@time 12 4\u002F4\n\nsection: Coda\nbars: 4\n@coda 1\n1  | Bb7  # I7 of the blues: a tonic with dominant color, Mixolydian\n# Coda: Bb7 held 4 bars\n",1793484798288]