[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:blue-champagne":3},"title: Blue Champagne\ncomposer: Watts, Ryerson, Eaton\nstyle: Medium Swing\nkey: F\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n1  | F6      # tonic: the 4th is in the key\n1  | Abdim7  # passing diminished: G7♭9 without its G, the C7's dominant (Gm7 its ii)\n2  | Gm7     # ii of the ii–V to F\n2  | C7      # V7 of F: natural tensions\n3  | F6      # tonic: the 4th is in the key\n3  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Db7     # tritone substitute: resolves down a half step to C7\n4  | C7      # V7 of F: natural tensions\n5  | FMaj7   # tonic: the 4th is in the key\n5  | Abdim7  # passing diminished: G7♭9 without its G, the C7's dominant (Gm7 its ii)\n6  | Gm7     # ii of the ii–V to F\n6  | C7      # V7 of F: natural tensions\n7  | F6      # tonic: the 4th is in the key\n8  | Gm7     # ii of the ii–V to F\n8  | C7      # V7 of F: natural tensions\n9  | F6      # tonic: the 4th is in the key\n10 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | A7b9    # V7\u002Fvi in F: b9 and b13 are in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Dm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n1  | DmMaj7  # from the symbol: minor-major 7th\n2  | Dm7     # ii of G7: Dorian\n2  | G7      # V7\u002FV in F: natural tensions\n3  | FMaj7   # tonic: the 4th is in the key\n3  | Gm7     # ii of the ii–V to F\n3  | C7      # V7 of F: natural tensions\n4  | FMaj7   # tonic: the 4th is in the key\n4  | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | A7      # V7\u002Fvi in F: b9 and b13 are in the key\n5  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | DmMaj7  # from the symbol: minor-major 7th\n6  | Dm7     # ii of G7: Dorian\n6  | G7      # V7\u002FV in F: natural tensions\n7  | FMaj7   # tonic: the 4th is in the key\n7  | G9      # II7 in F, not resolving: natural tensions\n8  | Db7     # tritone substitute: resolves down a half step to C7\n8  | C7      # V7 of F: natural tensions\n\nsection: A2\n1  | F6      # tonic: the 4th is in the key\n1  | Abdim7  # passing diminished: G7♭9 without its G, the C7's dominant (Gm7 its ii)\n2  | Gm7     # ii of the ii–V to F\n2  | C7      # V7 of F: natural tensions\n3  | F6      # tonic: the 4th is in the key\n3  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Db7     # tritone substitute: resolves down a half step to C7\n4  | C7      # V7 of F: natural tensions\n5  | FMaj7   # tonic: the 4th is in the key\n5  | Abdim7  # passing diminished: G7♭9 without its G, the C7's dominant (Gm7 its ii)\n6  | Gm7     # ii of the ii–V to F\n6  | C7      # V7 of F: natural tensions\n7  | F6      # tonic: the 4th is in the key\n8  | Gm7     # ii of the ii–V to F\n8  | C7      # V7 of F: natural tensions\n",1793575883133]