[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:black-nile":3},"title: Black Nile\ncomposer: Wayne Shorter\nstyle: Up Tempo Swing\nkey: Dm\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; D minor\n\nsection: Intro\n# area: D minor (Intro 1–4)\n1  | Fm7     # a borrowed minor chord: Dorian, its own key\n2  | GbMaj7  # a non-tonic major chord: Lydian\n3  | Ebm7    # a borrowed minor chord: Dorian, its own key\n4  | Fm7     # a borrowed minor chord: Dorian, its own key\n4  | Dm7     # tonic minor: Dorian by convention\n# area: Eb major (Intro 5–6)\n5  | Bb7     # V7 of Eb: natural tensions\n6  | EbMaj7  # tonic: the 4th is in the key\n# area: D minor (Intro 7 – A1 3)\n7  | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n7  | A7b9    # V7 of D minor: b9 and b13 are in the key\n8  | A7b9\n\nsection: A1\n1  | Dm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n2  | Eb7     # tritone substitute: resolves down a half step to Dm6\n3  | Dm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n# area: Bb major (A1 4–5)\n4  | Cm7     # ii of the ii–V to Bb\n4  | F7#5    # V7 of Bb: #11 and b13 from the symbol\n5  | BbMaj7  # tonic: the 4th is in the key\n# area: D minor (A1 6 – B 2)\n6  | A7b13   # V7 of D minor: b9 and b13 are in the key\n7  | Dm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n8  | Eb7     # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n9  | Gm7     # ii of C7: Dorian\n9  | C7      # V7\u002FbIII in D minor: natural tensions\n10 | A7#9    # tritone substitute: resolves down a half step to Ab7; b9 and #9 from the symbol\n11 | Ab7     # tritone substitute: resolves down a half step to Gm7\n@ending 1 6 8\n@ending 2 9 11\n\nsection: B\n1  | Gm7     # ii of the ii–V to F minor\n2  | C7      # V7\u002Fbiii in D minor: natural tensions\n# area: Eb major (B 3–8)\n3  | Fm7     # ii of the ii–V to Eb\n3  | Bb7     # V7 of Eb: natural tensions\n4  | EbMaj7  # tonic: the 4th is in the key\n5  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | C7      # V7\u002Fii in Eb: the b13 is in the key\n7  | Fm7     # ii of the ii–V to Eb\n7  | Bb7     # V7 of Eb: natural tensions\n8  | EbMaj7  # tonic: the 4th is in the key\n# area: D minor (B 8 – A2 3)\n8  | A7b9    # V7 of D minor: b9 and b13 are in the key\n\nsection: A2\n1  | Dm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n2  | Eb7     # tritone substitute: resolves down a half step to Dm6\n3  | Dm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n# area: Bb major (A2 4–5)\n4  | Cm7     # ii of the ii–V to Bb\n4  | F7      # V7 of Bb: natural tensions\n5  | BbMaj7  # tonic: the 4th is in the key\n# area: D minor (A2 6–8)\n6  | A7b13   # V7 of D minor: b9 and b13 are in the key\n7  | Dm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n8  | Eb7     # tritone substitute: resolves down a half step to Dm6\n",1793575883021]