[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:birdland":3},"title: Birdland\ncomposer: Joe Zawinul\nstyle: Even 8's\nkey: G\nform: AABCDD, 78 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: Intro1\n1  | G7\u002FB    # I7 in G, not resolving: natural tensions\n1  | G\u002FC     # tonic: the 4th is in the key\n2  | G\u002FD     # tonic: the 4th is in the key\n3  | G7\u002FB    # I7 in G, not resolving: natural tensions\n3  | G\u002FC     # tonic: the 4th is in the key\n4  | G       # tonic: the 4th is in the key\n\nsection: Intro2\ncopy: Intro1\n\nsection: A1\n1  | G7\u002FB    # V7 of the C\u002FD before it: natural tensions\n1  | G\u002FC     # tonic: the 4th is in the key\n2  | G\u002FD     # tonic: the 4th is in the key\n3  | G7\u002FB    # I7 in G, not resolving: natural tensions\n3  | G\u002FC     # tonic: the 4th is in the key\n4  | G       # tonic: the 4th is in the key\n\nsection: A2\ncopy: A1\n\nsection: B\n1  | Gm7     # a borrowed minor chord: Dorian, its own key\n2  | F\u002FBb    # ♭VII, borrowed from G minor: Lydian (its ♯11 is in the key)\n2  | Eb\u002FBb   # ♭VI, borrowed from G minor: Lydian (its ♯11 is in the key)\n3  | Dm7     # ii of Dm7\u002FG: Dorian\n3  | Dm7\u002FG   # static sus: Mixolydian\n4  | F\u002FC     # ♭VII, borrowed from G minor: Lydian (its ♯11 is in the key)\n5  | F\u002FC\n5  | G6      # tonic: the 4th is in the key\n6  | Gm\u002FC    # a borrowed minor chord: Dorian, its own key\n6  | F\u002FEb    # ♭VII, borrowed from G minor: Lydian (its ♯11 is in the key)\n7  | G6      # tonic: the 4th is in the key\n8  | Gm      # a borrowed minor chord: Dorian, its own key\n8  | F\u002FC     # ♭VII, borrowed from G minor: Lydian (its ♯11 is in the key)\n\nsection: C\n1  | G       # tonic: the 4th is in the key\n2  | G\n3  | G\n4  | G\n5  | G\u002FB     # tonic: the 4th is in the key\n6  | G\u002FB\n7  | G\u002FC     # tonic: the 4th is in the key\n8  | G\u002FC\n9  | G\u002FD     # tonic: the 4th is in the key\n10 | G\u002FD\n11 | G\u002FC     # tonic: the 4th is in the key\n12 | G\u002FC\n13 | G       # tonic: the 4th is in the key\n14 | Am\u002FG    # ii: Dorian, the key’s own notes\n15 | Gadd9   # tonic: the 4th is in the key\n16 | Gadd9\n17 | G7      # I7 in G, not resolving: natural tensions\n18 | Bm7b5   # iiiø7 in G: Locrian, its own mode (the chord is outside the key)\n19 | Bm7b5\n20 | Bm7b5\n21 | Bm7b5\n22 | N.C.\n23 | G7      # static dominant: its own mode\n24 | G7\n25 | G7\n26 | G7\n27 | G7\n28 | G7\n29 | G7\n30 | G7\n\nsection: D1\n1  | G       # tonic: the 4th is in the key\n1  | Bm      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n1  | Em      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | G\u002FB     # tonic: the 4th is in the key\n2  | CMaj7   # IV: the #4 is the key’s 7th\n2  | C#m7b5  # #ivø7 in G: Locrian, its own mode (the chord is outside the key)\n3  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | E7      # V7\u002Fii in G: the b13 is in the key\n4  | Am7     # ii: Dorian, the key’s own notes\n4  | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | CMaj7   # IV: the #4 is the key’s 7th\n4  | C\u002FD     # IV: the #4 is the key’s 7th\n5  | G       # tonic: the 4th is in the key\n5  | Bm      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | Em      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | C6      # IV: the #4 is the key’s 7th\n6  | C#m7b5  # #ivø7 in G: Locrian, its own mode (the chord is outside the key)\n6  | C\u002FD     # IV: the #4 is the key’s 7th\n7  | G\u002FC     # tonic: the 4th is in the key\n8  | C\u002FD     # IV: the #4 is the key’s 7th\n9  | G       # tonic: the 4th is in the key\n9  | Bm      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n9  | Em      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n10 | Em\u002FD    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n10 | C#m7b5  # #ivø7 in G: Locrian, its own mode (the chord is outside the key)\n10 | C7      # tritone substitute: resolves down a half step to Bm7\n11 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n11 | E7      # V7\u002Fii in G: the b13 is in the key\n12 | Am7     # ii: Dorian, the key’s own notes\n12 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | CMaj7   # IV: the #4 is the key’s 7th\n12 | C\u002FD     # IV: the #4 is the key’s 7th\n13 | G       # tonic: the 4th is in the key\n13 | Bm      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n13 | Em      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n14 | Em\u002FD    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n14 | C#m7b5  # #ivø7 in G: Locrian, its own mode (the chord is outside the key)\n14 | C7      # tritone substitute: resolves down a half step to Bm7\n15 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n15 | E7      # V7\u002Fii in G: the b13 is in the key\n16 | Am7     # ii: Dorian, the key’s own notes\n16 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n16 | CMaj7   # IV: the #4 is the key’s 7th\n16 | C\u002FD     # IV: the #4 is the key’s 7th\n\nsection: D2\ncopy: D1\n",1793575882916]