[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:bird-food":3},"title: Bird Food\ncomposer: Ornette Coleman\nstyle: Up\nkey: Bb\nform: AABC, 40 bars\nrecording: Ornette Coleman; Change of the Century; Atlantic; 1960\nyoutube: N27JI1_Miwg\n# analysis: 2026-10-19, rules v2; Bb\n# recording: recorded 1959-10-08, NYC (jazzdisco), Don Cherry, Ornette Coleman, Charlie Haden, Billy Higgins, matrix 3866, Atlantic LP 1327; the composer's own first recording (jazzdisco, Wikipedia); video: \"Provided to YouTube by Rhino Atlantic\", The Atlantic Years, the same take\n\n# the intro is a melodic figure with no chords (4 bars N.C.)\n# the C is the A with its 2nd ending\n# solos in Bb, disregarding the form (as printed); the head ends at the coda\n# bar | chord\n\nsection: A\nbars: 12\n1  | Bb6    # tonic: the 4th is in the key\n1  | Gm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Cm7    # ii of the ii–V to Bb\n2  | F7b9   # V7 of Bb: the b9 from the symbol\n3  | Bb6    # tonic: the 4th is in the key\n4  | Fm7    # ii of the ii–V to Eb\n4  | Bb7    # V7\u002FIV in Bb: natural tensions\n5  | Eb6    # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n7  | Bb6    # tonic: the 4th is in the key\n8  | Dm7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | G7     # V7\u002Fii in Bb: the b13 is in the key\n9  | Cm7b5  # iiø7 of Bb: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | F7     # V7 of Bb: natural tensions\n11 | F7\n11 | Bb6    # tonic: the 4th is in the key\n@ending 1 10\n@ending 2 11 12\n@time 10 2\u002F4\n@time 11 4\u002F4\n\nsection: B\nbars: 8\n1  | D7     # extended dominant: each one falls a fifth into the next: natural tensions\n3  | G7     # extended dominant: each one falls a fifth into the next: natural tensions\n5  | C7     # V7 of V7: the dominant of the dominant: natural tensions\n7  | F7     # V7 of Bb: natural tensions\n\nsection: C\nbars: 12\n1  | Bb6    # tonic: the 4th is in the key\n1  | Gm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Cm7    # ii of the ii–V to Bb\n2  | F7b9   # V7 of Bb: the b9 from the symbol\n3  | Bb6    # tonic: the 4th is in the key\n4  | Fm7    # ii of the ii–V to Eb\n4  | Bb7    # V7\u002FIV in Bb: natural tensions\n5  | Eb6    # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n7  | Bb6    # tonic: the 4th is in the key\n8  | Dm7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | G7     # V7\u002Fii in Bb: the b13 is in the key\n9  | Cm7b5  # iiø7 of Bb: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | F7     # V7 of Bb: natural tensions\n10 | Bb6    # tonic: the 4th is in the key\n@coda 10\n\nsection: Coda\nbars: 4\n@coda 1\n1  | F7     # V7 of Bb: natural tensions\n1  | Bb6    # tonic: the 4th is in the key\n# Coda bar 2: a break (N.C.), Bb6 on the last eighth\n",1793484798140]