[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:bills-hit-tune":3},"title: Bill's Hit Tune\ncomposer: Bill Evans\nstyle: Medium Swing\nkey: Cm\nform: AB, 32 bars\n# analysis: 2026-10-31, rules v2; C minor\n\nsection: A\n# area: C minor (A 1–14)\n1  | Dm7b5     # iiø7 in C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | Dm7b5\u002FG   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | G7b9      # V7 of C minor: b9 and b13 are in the key\n3  | Cm7       # tonic minor: Dorian by convention\n4  | AbMaj7    # a non-tonic major chord: Lydian\n5  | Dm7b5     # iiø7 in C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | Dm7b5\u002FG   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | G7b9      # V7 of C minor: b9 and b13 are in the key\n7  | Cm7       # tonic minor: Dorian by convention\n8  | C7#9      # V7\u002Fiv in C minor: the b13 is in the key, b9, #9 and #11 from the symbol\n9  | Fm7       # ii of Bb7sus: Dorian\n10 | Bb7sus    # ♭VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n10 | Bb7       # V7\u002FbIII in C minor: natural tensions\n11 | EbMaj7    # bIII of C minor: the relative major itself\n12 | AbMaj7    # a non-tonic major chord: Lydian\n13 | Dm7b5     # iiø7 of G7sus: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | G7sus     # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n# area: C major (A 14 – B 8)\n14 | G13       # V7 of C: natural tensions\n15 | CMaj7#5   # from the symbol: #5\n16 | FMaj7#11  # from the symbol: #11\n@coda 15\n\nsection: B\n1  | Bm7b5     # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | E7b9      # V7\u002Fvi in C: b9 and b13 are in the key\n3  | Am7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Am7\u002FG     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | F#m7b5    # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | B7b9      # V7\u002Fiii in C: b9 and b13 are in the key\n7  | Em7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | Em7\u002FD     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n# area: B minor (B 9–12)\n9  | C#m7b5    # iiø7 of B minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | F#7b9     # V7 of B minor: b9 and b13 are in the key\n11 | Bm7       # tonic minor: Dorian by convention\n12 | Bm7\u002FA     # tonic minor: Dorian by convention\n# area: F# major (B 13 – Coda 1)\n13 | G#m7b5    # iiø7 of F#: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | C#7b9     # V7 of F#: the b9 from the symbol\n15 | F#Maj7    # tonic: the 4th is in the key\n16 | F#7       # I7 in F#, not resolving: natural tensions\n16 | Ebm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n@nav 16 D.C. al Coda\n\nsection: Coda\n1  | Em7\u002FA     # ♭III7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n# area: D minor (Coda 1–2)\n1  | A7b9      # V7 of D minor: b9 and b13 are in the key\n2  | DmMaj7    # from the symbol: minor-major 7th\n2  | Dm7b5     # iø7 in D minor: Locrian, its own mode (the chord is outside the key)\n# area: C minor (Coda 3–5)\n3  | Dm7b5\u002FG   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n3  | G7b9      # V7 of C minor: b9 and b13 are in the key\n4  | Cm7       # tonic minor: Dorian by convention\n5  | Cm7\n@coda 1\n",1793575882858]