[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:billies-bounce":3},"title: Billie's Bounce\ncomposer: Charlie Parker\nstyle: Blues\nkey: F\nform: A, 12 bars\nrecording: Charlie Parker; New Sounds in Modern Music, Volume 2; Savoy; 1951\nyoutube: gVVffSREjd4\n# analysis: 2026-10-22, rules v2; F, blues\n# recording: recorded 1945-11-26 (Charlie Parker's Re-Boppers), master take 5, first issued on 78 (Savoy 573), first LP 1951 (MG 9001; MusicBrainz says 1950) (jazzdisco, uDiscover); video: The Complete Savoy & Dial Master Takes, the same take\n\n# bar | chord | scale\n\nsection: A\n1  | F7   # I7 of the blues: a tonic with dominant color, Mixolydian\n2  | Bb7  # IV7 of the blues: a subdominant with dominant color, Mixolydian (the #11 is an extra color)\n3  | F7   # I7 of the blues: a tonic with dominant color, Mixolydian\n5  | Bb7  # IV7 of the blues: a subdominant with dominant color, Mixolydian (the #11 is an extra color)\n7  | F7   # I7 of the blues: a tonic with dominant color, Mixolydian\n9  | Gm7  # ii of C7: Dorian\n10 | C7   # extended dominant: V7 of F7\n11 | F7   # I7 of the blues: a tonic with dominant color, Mixolydian\n12 | C7   # V7 of the blues: a dominant that needn’t resolve, Mixolydian\n",1793484798062]