[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:beyond-the-sea":3},"title: Beyond The Sea\ncomposer: Charles Trenet\nstyle: Medium Swing\nkey: F\nform: AABA, 48 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n# area: F major (A1 1–14)\n1  | F6      # tonic: the 4th is in the key\n1  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Gm7     # ii of the ii–V to F\n2  | C7      # V7 of F: natural tensions\n3  | F6      # tonic: the 4th is in the key\n3  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Gm7     # ii of the ii–V to F\n4  | C7      # V7 of F: natural tensions\n5  | F6      # tonic: the 4th is in the key\n5  | A7      # V7\u002Fvi in F: b9 and b13 are in the key\n6  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | C7      # V7 of F: natural tensions\n7  | F6      # tonic: the 4th is in the key\n7  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Bb6     # IV: the #4 is the key’s 7th\n8  | D7\u002FA    # V7\u002Fii in F: the b13 is in the key\n9  | Gm7     # ii of C7: Dorian\n9  | C7      # V7\u002FI in F: natural tensions\n10 | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n10 | BbMaj7  # IV: the #4 is the key’s 7th\n11 | G7      # V7 of V7: the dominant of the dominant: natural tensions\n12 | C7      # V7 in F, not resolving: natural tensions\n13 | Gm7     # ii of the ii–V to F\n13 | C7      # V7 of F: natural tensions\n14 | F6      # tonic: the 4th is in the key\n# area: A major (A1 14 – B 5)\n14 | E7      # V7 of A: natural tensions\n@ending 1 11 12\n@ending 2 13 14\n\nsection: B\n1  | A6      # tonic: the 4th is in the key\n1  | F#m7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Bm7     # ii of the ii–V to A\n2  | E7      # V7 of A: natural tensions\n3  | A6      # tonic: the 4th is in the key\n3  | F#m7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Bm7     # ii of the ii–V to A\n4  | E7      # V7 of A: natural tensions\n5  | A6      # tonic: the 4th is in the key\n# area: C major (B 6–11)\n6  | Dm7     # ii of the ii–V to C\n6  | G7      # V7 of C: natural tensions\n7  | C6      # tonic: the 4th is in the key\n7  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Dm7     # ii of the ii–V to C\n8  | G7      # V7 of C: natural tensions\n9  | C6      # tonic: the 4th is in the key\n9  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n10 | Dm7     # ii of the ii–V to C\n10 | G7      # V7 of C: natural tensions\n11 | C6      # tonic: the 4th is in the key\n# area: F major (B 12 – A2 12)\n12 | Gm7     # ii of the ii–V to F\n12 | C7      # V7 of F: natural tensions\n\nsection: A2\n1  | F6      # tonic: the 4th is in the key\n1  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Gm7     # ii of the ii–V to F\n2  | C7      # V7 of F: natural tensions\n3  | F6      # tonic: the 4th is in the key\n3  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Gm7     # ii of the ii–V to F\n4  | C7      # V7 of F: natural tensions\n5  | F6      # tonic: the 4th is in the key\n5  | A7      # V7\u002Fvi in F: b9 and b13 are in the key\n6  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | C7      # V7 of F: natural tensions\n7  | F6      # tonic: the 4th is in the key\n7  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Bb6     # IV: the #4 is the key’s 7th\n8  | D7\u002FA    # V7\u002Fii in F: the b13 is in the key\n9  | Gm7     # ii of C7: Dorian\n9  | C7      # V7\u002FI in F: natural tensions\n10 | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n10 | Bb7     # IV7 in F, not resolving: the #11 is in the key\n11 | Gm7     # ii of the ii–V to F\n11 | C7      # V7 of F: natural tensions\n12 | F6      # tonic: the 4th is in the key\n",1793575882793]