[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:beyond-all-limits":3},"title: Beyond all Limits\ncomposer: Woody Shaw\nstyle: Medium Swing\nkey: Bb\nform: AABA, 54 bars\n# analysis: 2026-10-31, rules v2; Bb\n\nsection: A1\n# area: Bb major (A1 1–2)\n1  | Cm7     # ii of F7: Dorian\n1  | F7      # V7\u002FI in Bb: natural tensions\n2  | C#m7    # a borrowed minor chord: Dorian, its own key\n2  | F#m7    # a borrowed minor chord: Dorian, its own key\n# area: Ab major (A1 3–4)\n3  | Bbm7    # ii of the ii–V to Ab\n3  | Eb7     # V7 of Ab: natural tensions\n4  | AbMaj7  # tonic: the 4th is in the key\n# area: C# minor (A1 5 – A2 2)\n5  | Am7     # ii of D7: Dorian\n5  | D7      # tritone substitute: resolves down a half step to C#m7\n6  | C#m7    # tonic minor: Dorian by convention\n6  | F#m7    # iv: Dorian, the key’s own notes\n7  | BbMaj7  # a non-tonic major chord: Lydian\n8  | BbMaj7\n9  | Ab7     # V7 in C# minor, not resolving: b9 and b13 are in the key\n10 | AbMaj7  # a non-tonic major chord: Lydian\n11 | Fm7     # a borrowed minor chord: Dorian, its own key\n12 | Eb7     # II7 in C# minor, not resolving: b9 and b13 are in the key\n13 | Fm7     # a borrowed minor chord: Dorian, its own key\n14 | Fm7\n\nsection: A2\ncopy: A1\n\nsection: B\n# area: Bb major (B 1–2)\n1  | BbMaj7  # tonic: the 4th is in the key\n2  | BbMaj7\n# area: Gb major (B 3–6)\n3  | Abm7    # ii of the ii–V to Gb\n3  | Db7     # V7 of Gb: natural tensions\n4  | GbMaj7  # tonic: the 4th is in the key\n5  | Bm\u002FE    # iv from the parallel minor: Dorian, its notes\n6  | Bm\u002FE\n# area: F major (B 7 – A3 2)\n7  | Gm7     # ii of the ii–V to F\n7  | C7      # V7 of F: natural tensions\n8  | FMaj7   # tonic: the 4th is in the key\n9  | Am      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | Gbm     # a borrowed minor chord: Dorian, its own key\n11 | Ebm     # a borrowed minor chord: Dorian, its own key\n12 | Cm      # a borrowed minor chord: Dorian, its own key\n\nsection: A3\n1  | Cm7     # ii of F7: Dorian\n1  | F7      # V7\u002FIV in F: natural tensions\n2  | C#m7    # a borrowed minor chord: Dorian, its own key\n2  | F#m7    # a borrowed minor chord: Dorian, its own key\n# area: Ab major (A3 3–4)\n3  | Bbm7    # ii of the ii–V to Ab\n3  | Eb7     # V7 of Ab: natural tensions\n4  | AbMaj7  # tonic: the 4th is in the key\n# area: C# minor (A3 5–14)\n5  | Am7     # ii of D7: Dorian\n5  | D7      # tritone substitute: resolves down a half step to C#m7\n6  | C#m7    # tonic minor: Dorian by convention\n6  | F#m7    # iv: Dorian, the key’s own notes\n7  | BbMaj7  # a non-tonic major chord: Lydian\n8  | BbMaj7\n9  | Ab7     # V7 in C# minor, not resolving: b9 and b13 are in the key\n10 | AbMaj7  # a non-tonic major chord: Lydian\n11 | Fm7     # a borrowed minor chord: Dorian, its own key\n12 | Eb7     # II7 in C# minor, not resolving: b9 and b13 are in the key\n13 | Fm7     # a borrowed minor chord: Dorian, its own key\n14 | Fm7\n",1793575882776]