[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:bewitched":3},"title: Bewitched\ncomposer: Richard Rodgers\nstyle: Ballad\nkey: C\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n1  | CMaj7    # tonic: the 4th is in the key\n1  | Am7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\nalt 1  | CMaj7    # tonic: the 4th is in the key\nalt 1  | C#dim7   # vii°7 of Dm7: A7♭9 without its root\n2  | Dm7      # ii of the ii–V to C\n2  | G7       # V7 of C: natural tensions\n3  | CMaj7    # tonic: the 4th is in the key\n3  | C7#5     # V7\u002FIV in C: #11 and b13 from the symbol\nalt 3  | CMaj7\u002FE  # tonic: the 4th is in the key\nalt 3  | E7#5     # III7 in C, not resolving: b9 and b13 are in the key, the #11 from the symbol\n4  | FMaj7    # the C7#5 before it makes F the key of the moment: the 4th is in the key\n4  | F#dim7   # ♯IV°7 to I over its 5th: B7♭9 without its root, the ♯II°7's notes\nalt 4  | FMaj7    # IV: the #4 is the key’s 7th\nalt 4  | Bb7#11   # back door bVII7 to C6: the #11 is in the key\n5  | C6\u002FG     # tonic: the 4th is in the key\n5  | Am7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\nalt 5  | C6       # tonic: the 4th is in the key\nalt 5  | Ebdim7   # passing diminished: D7♭9 without its D, the G7's dominant (Dm7 its ii)\n6  | Dm7      # ii of G7: Dorian\n6  | G7       # V7\u002FI in C: natural tensions\n6  | A7       # V7\u002Fii in C: the b13 is in the key\n7  | Dm7      # ii of G7: Dorian\n8  | G7       # V7\u002FI in C: natural tensions\n9  | Dm7      # ii: Dorian, the key’s own notes\n9  | Gm7      # ii of the ii–V to F\n9  | C7       # V7\u002FIV in C: natural tensions\n10 | FMaj7    # the C7 before it makes F the key of the moment: the 4th is in the key\n11 | Em7b5    # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n11 | A7b9     # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n@ending 1 6 8\n@ending 2 9 11\n\nsection: B\n1  | Dm6      # a minor sixth chord: Dorian\n2  | Dm6\n3  | Am7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Am7\n5  | Dm7      # ii of G7: Dorian\n5  | G7       # V7\u002FI in C: natural tensions\nalt 5  | FMaj7    # IV: the #4 is the key’s 7th\nalt 5  | Em7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | Dm7      # ii of G7: Dorian\n6  | G7       # V7\u002FI in C: natural tensions\n7  | Em7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | Ebdim7   # passing diminished: D7♭9 without its D, the G7's dominant (Dm7 its ii)\n8  | Dm7      # ii of the ii–V to C\n8  | G7       # V7 of C: natural tensions\n\nsection: A2\n1  | CMaj7    # tonic: the 4th is in the key\n1  | Am7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\nalt 1  | CMaj7    # tonic: the 4th is in the key\nalt 1  | C#dim7   # vii°7 of Dm7: A7♭9 without its root\n2  | Dm7      # ii of the ii–V to C\n2  | G7       # V7 of C: natural tensions\n3  | CMaj7    # tonic: the 4th is in the key\n3  | C7#5     # V7\u002FIV in C: #11 and b13 from the symbol\nalt 3  | CMaj7\u002FE  # tonic: the 4th is in the key\nalt 3  | E7#5     # III7 in C, not resolving: b9 and b13 are in the key, the #11 from the symbol\n4  | FMaj7    # the C7#5 before it makes F the key of the moment: the 4th is in the key\n4  | F#dim7   # ♯IV°7 to I over its 5th: B7♭9 without its root, the ♯II°7's notes\nalt 4  | FMaj7    # IV: the #4 is the key’s 7th\nalt 4  | Bb7#11   # back door bVII7 to C6: the #11 is in the key\n5  | C6\u002FG     # tonic: the 4th is in the key\n5  | Am7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\nalt 5  | C6       # tonic: the 4th is in the key\nalt 5  | Ebdim7   # passing diminished: D7♭9 without its D, the G7's dominant (Dm7 its ii)\n6  | Dm7      # ii of the ii–V to C\n6  | G7       # V7 of C: natural tensions\n7  | C6       # tonic: the 4th is in the key\n7  | Am7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Dm7      # ii of the ii–V to C\n8  | G7       # V7 of C: natural tensions\n",1793575882765]