[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:between-the-devil-and-the-deep-blue-sea":3},"title: Between The Devil And The Deep Blue Sea\ncomposer: Harold Arlen\nstyle: Medium Up Swing\nkey: F\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n# area: F major (A1 1–9)\n1 | FMaj7   # tonic: the 4th is in the key\n2 | Gm7     # ii of the ii–V to F\n2 | C7      # V7 of F: natural tensions\n3 | FMaj7   # tonic: the 4th is in the key\n4 | Gm7     # ii of C7: Dorian\n4 | C7      # V7\u002FI in F: natural tensions\n5 | Cm7     # ii of the ii–V to Bb\n5 | F7      # V7\u002FIV in F: natural tensions\n6 | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n6 | Eb7     # ♭VII7 from the parallel minor: Lydian Dominant\n7 | Gm7     # ii of the ii–V to F\n7 | C7      # V7 of F: natural tensions\n8 | F6      # tonic: the 4th is in the key\n8 | C7      # V7 of F: natural tensions\n9 | F6      # tonic: the 4th is in the key\n# area: A major (A1 9 – B 7)\n9 | E7      # V7 of A: natural tensions\n@ending 1 8\n@ending 2 9\n\nsection: B\n1 | AMaj7   # tonic: the 4th is in the key\n1 | F#m7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Bm7     # ii of the ii–V to A\n2 | E7      # V7 of A: natural tensions\n3 | AMaj7   # tonic: the 4th is in the key\n3 | F#m7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Bm7     # ii of E7: Dorian\n4 | E7      # V7\u002FI in A: natural tensions\n5 | CMaj7   # ♭IIImaj7, borrowed from A minor: Lydian (its ♯11 is in the key)\n5 | Am7     # a borrowed minor chord: Dorian, its own key\n6 | Fm6     # a minor sixth chord: Dorian\n7 | Ab7     # tritone substitute: resolves down a half step to G7\n# area: F major (B 8 – A2 8)\n8 | G7      # V7 of V7: the dominant of the dominant: natural tensions\n8 | C7      # V7 of F: natural tensions\n\nsection: A2\n1 | FMaj7   # tonic: the 4th is in the key\n2 | Gm7     # ii of the ii–V to F\n2 | C7      # V7 of F: natural tensions\n3 | FMaj7   # tonic: the 4th is in the key\n4 | Gm7     # ii of C7: Dorian\n4 | C7      # V7\u002FI in F: natural tensions\n5 | Cm7     # ii of the ii–V to Bb\n5 | F7      # V7\u002FIV in F: natural tensions\n6 | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n6 | Eb7     # ♭VII7 from the parallel minor: Lydian Dominant\n7 | Gm7     # ii of the ii–V to F\n7 | C7      # V7 of F: natural tensions\n8 | F6      # tonic: the 4th is in the key\n8 | C7      # V7 of F: natural tensions\n",1793575882756]