[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:better-days-ahead":3},"title: Better Days Ahead\ncomposer: Pat Metheny\nstyle: Samba\nkey: C\nform: ABCD, 30 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A\n# area: C major (A 1–3)\n1 | E\u002FF#         # a non-tonic major chord: Lydian\n1 | B69          # a non-tonic major chord: Lydian\n2 | G\u002FA          # V without its 7th: Mixolydian, the key’s own notes\n3 | DMaj9        # a non-tonic major chord: Lydian\n# area: G major (A 3–7)\n3 | Ab9#11       # tritone substitute: resolves down a half step to GMaj7\n4 | GMaj7        # tonic: the 4th is in the key\n5 | Em7          # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5 | F#m7         # a borrowed minor chord: Dorian, its own key\n6 | Bm7          # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | Am7          # ii of D7: Dorian\n6 | D7           # V7\u002FI in G: natural tensions\n7 | D7\n# area: Gb major (A 7 – D 7)\n7 | Abm7         # ii of the ii–V to Gb\n7 | Db7b9        # V7 of Gb: the b9 from the symbol\n8 | GbMaj7       # tonic: the 4th is in the key\n\nsection: B\n1 | Fm7b5        # iiø7 of Eb minor: Locrian, the key's own notes (its ♭2 is a passing note)\n1 | Bb7b9        # V7\u002Fvi in Gb: b9 and b13 are in the key\n2 | Ebm7         # ii of Ab7: Dorian\n2 | Ab7          # V7\u002FV in Gb: natural tensions\n3 | Abm7         # ii of the ii–V to Gb\n3 | Db7b9        # V7 of Gb: the b9 from the symbol\n4 | GbMaj7       # tonic: the 4th is in the key\n4 | C13          # tritone substitute: resolves down a half step to BMaj7\n5 | BMaj7        # the C13 before it makes B the key of the moment: the 4th is in the key\n5 | Bbm7         # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | Ebm7         # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Dbm7         # a borrowed minor chord: Dorian, its own key\n7 | Cm7b5        # #ivø7 in Gb: Locrian, its own mode (the chord is outside the key)\n8 | Db\u002FCb        # V without its 7th: Mixolydian, the key’s own notes\n\nsection: C\n1 | F#Maj7       # tonic: the 4th is in the key\n1 | DMaj7\u002FF#     # ♭VImaj7, borrowed from Gb minor: Lydian (its ♯11 is in the key)\n2 | E\u002FF#         # ♭VII, borrowed from Gb minor: Lydian (its ♯11 is in the key)\n2 | DMaj7\u002FF#     # ♭VImaj7, borrowed from Gb minor: Lydian (its ♯11 is in the key)\n3 | F#Maj7       # tonic: the 4th is in the key\n3 | DMaj7\u002FF#     # ♭VImaj7, borrowed from Gb minor: Lydian (its ♯11 is in the key)\n4 | E\u002FF#         # ♭VII, borrowed from Gb minor: Lydian (its ♯11 is in the key)\n4 | GMaj7#11\u002FF#  # from the symbol: #11\n5 | Ebm7         # ii of Ab13: Dorian\n5 | Ab13         # V7\u002FV in Gb: natural tensions\n6 | Abm7         # ii of Db7b9: Dorian\n6 | Db7b9        # V7\u002FI in Gb: the b9 from the symbol\n7 | GMaj7#11     # from the symbol: #11\n@coda 3\n\nsection: Coda\n1 | F#Maj7       # tonic: the 4th is in the key\n1 | DMaj7\u002FF#     # ♭VImaj7, borrowed from Gb minor: Lydian (its ♯11 is in the key)\n2 | E\u002FF#         # ♭VII, borrowed from Gb minor: Lydian (its ♯11 is in the key)\n2 | DMaj7\u002FF#     # ♭VImaj7, borrowed from Gb minor: Lydian (its ♯11 is in the key)\n3 | F#Maj7       # tonic: the 4th is in the key\n3 | DMaj7\u002FF#     # ♭VImaj7, borrowed from Gb minor: Lydian (its ♯11 is in the key)\n4 | E\u002FF#         # ♭VII, borrowed from Gb minor: Lydian (its ♯11 is in the key)\n4 | DMaj7\u002FF#     # ♭VImaj7, borrowed from Gb minor: Lydian (its ♯11 is in the key)\n5 | F#Maj7       # tonic: the 4th is in the key\n5 | GMaj7#11\u002FF#  # from the symbol: #11\n@coda 1\n\nsection: D\n1 | Ebm7         # ii of Ab7: Dorian\n1 | Ab7          # V7\u002FV in Gb: natural tensions\n2 | Abm7         # ii of Db7b9: Dorian\n2 | Db7b9        # V7\u002FI in Gb: the b9 from the symbol\n3 | Bbm7         # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | Eb7          # extended ii–V: a side-step, its own key\n4 | Bm7          # ii of E7: Dorian\n4 | E7           # extended ii–V: a side-step, its own key\n5 | Bbm7         # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | Eb7          # V7\u002Fii in Gb: the b13 is in the key\n6 | Abm7         # ii of Db7b9: Dorian\n6 | Db7b9        # V7\u002FI in Gb: the b9 from the symbol\n7 | GMaj7#11     # from the symbol: #11\n",1793575882687]