[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:bess-you-is-my-woman":3},"title: Bess You Is My Woman\ncomposer: George Gershwin\nstyle: Ballad\nkey: Bb\nform: ABABC, 54 bars\n# analysis: 2026-10-31, rules v2; Bb\n\nsection: A1\n# area: Bb major (A1 1–7)\n1  | Bb6      # tonic: the 4th is in the key\n1  | Gm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Cm7      # ii of the ii–V to Bb\n2  | F7#9     # V7 of Bb: b9, #9 and #11 from the symbol\n3  | BbMaj7   # tonic: the 4th is in the key\n3  | Bb7      # V7\u002FIV in Bb: natural tensions\n4  | EbMaj7   # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n4  | Ab7      # tritone substitute: resolves down a half step to Gm7\n5  | Gm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | Gm7\u002FF    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Em7b5    # #ivø7 in Bb: Locrian, its own mode (the chord is outside the key)\n6  | Eb7      # tritone substitute: resolves down a half step to Dm7\n7  | Dm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n# area: Db major (A1 7–8)\n7  | Ab7      # V7 of Db: natural tensions\n8  | DbMaj7   # tonic: the 4th is in the key\n# area: Bb major (A1 8 – B1 3)\n8  | F7       # V7 of Bb: natural tensions\n\nsection: B1\n1  | Bb6      # tonic: the 4th is in the key\n1  | Gm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Cm7      # ii of the ii–V to Bb\n2  | F7#9     # V7 of Bb: b9, #9 and #11 from the symbol\n3  | BbMaj7   # tonic: the 4th is in the key\n3  | Gm7\u002FF    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: D major (B1 4–7)\n4  | Em7b5    # iiø7 of D: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | A7       # V7 of D: natural tensions\n5  | D6       # tonic: the 4th is in the key\n6  | Dm7      # ii of G7: Dorian\n6  | G7       # extended ii–V: a side-step, its own key\n7  | DMaj7    # tonic: the 4th is in the key\n# area: F# major (B1 8–11)\n8  | G#m7b5   # iiø7 of F#: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | C#7b9    # V7 of F#: the b9 from the symbol\n9  | F#6      # tonic: the 4th is in the key\n10 | B7       # IV7 in F#, not resolving: the #11 is in the key\n10 | C#7#5    # V7 of F#: #11 and b13 from the symbol\n11 | F#6      # tonic: the 4th is in the key\n11 | D#m7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: Bb major (B1 12 – A2 7)\n12 | Cm7b5    # iiø7 of Bb: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | F7b9     # V7 of Bb: the b9 from the symbol\n\nsection: A2\ncopy: A1\n\nsection: B2\n1  | Bb6      # tonic: the 4th is in the key\n1  | Gm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Cm7      # ii of the ii–V to Bb\n2  | F7#9     # V7 of Bb: b9, #9 and #11 from the symbol\n3  | BbMaj7   # tonic: the 4th is in the key\n3  | Gm7\u002FF    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: D major (B2 4 – C 18)\n4  | Em7b5    # iiø7 of D: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | A7       # V7 of D: natural tensions\n5  | D6       # tonic: the 4th is in the key\n5  | A7       # V7 of D: natural tensions\n6  | D6       # tonic: the 4th is in the key\n6  | A7       # V7 of the D6 before it: natural tensions\n7  | Bmb6     # from the symbol: b6\n7  | C#m7b5   # viiø7 in D: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | Bm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Bb7      # ♭VI7 from the parallel minor: Lydian Dominant, it returns to I\n\nsection: C\n1  | D6\u002FA     # tonic: the 4th is in the key\n2  | A7sus    # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n2  | A7#5     # V7 of D: #11 and b13 from the symbol\n3  | D6\u002FA     # tonic: the 4th is in the key\n4  | A7sus    # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n4  | A7#5     # V7 of D: #11 and b13 from the symbol\n5  | D6       # tonic: the 4th is in the key\n5  | D9\u002FF#    # V7\u002FIV in D: natural tensions\n6  | GMaj9    # the D9\u002FF# before it makes G the key of the moment: the 4th is in the key\n6  | C7       # back door bVII7 to D6\u002FA: the #11 is in the key\n7  | D6\u002FA     # tonic: the 4th is in the key\n7  | G7\u002FB     # IV7 in D, not resolving: the #11 is in the key\n7  | D7\u002FC     # extended dominant: V7 of G7\u002FB\n7  | G7\u002FB     # IV7 in D, not resolving: the #11 is in the key\n8  | D6\u002FA     # tonic: the 4th is in the key\n8  | Abdim    # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n8  | Em\u002FG     # ii: Dorian, the key’s own notes\n8  | D\u002FF#     # tonic: the 4th is in the key\n9  | Bb7#5    # ♭VI7 from the parallel minor: Lydian Dominant; b13 from the symbol\n9  | Bb7#5\u002FD  # ♭VI7 from the parallel minor: Lydian Dominant; b13 from the symbol\n10 | B7       # VI7 in D, not resolving: the b13 is in the key\n10 | B7#5     # V7\u002Fii in D: the b13 is in the key, the #11 from the symbol\n10 | Em7b5    # iiø7 of D: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | A7       # V7 of D: natural tensions\n11 | D6       # tonic: the 4th is in the key\n11 | Abm7b5   # #ivø7 in D: Locrian, its own mode (the chord is outside the key)\n12 | A7\u002FG     # V7 in D, not resolving: natural tensions\n13 | F#m7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n13 | D7       # V7\u002FIV in D: natural tensions\n14 | GMaj7    # the D7 before it makes G the key of the moment: the 4th is in the key\n14 | Bbm6     # a minor sixth chord: Dorian\n15 | D6\u002FA     # tonic: the 4th is in the key\n15 | D7\u002FC     # V7\u002FIV in D: natural tensions\n16 | GMaj7    # the D7\u002FC before it makes G the key of the moment: the 4th is in the key\n16 | Em7      # ii of A7\u002FD: Dorian\n17 | A7\u002FD     # V7\u002FI in D: natural tensions\n17 | A7#5     # V7 of D: #11 and b13 from the symbol\n18 | D6       # tonic: the 4th is in the key\n",1793575882664]