[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:besame-mucho":3},"title: Besame Mucho\ncomposer: Consuelo Velazques\nstyle: Bossa Nova\nkey: Dm\nform: ABA, 40 bars\n# analysis: 2026-10-31, rules v2; D minor\n\nsection: A1\n1  | Dm6    # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n2  | Dm6\n3  | Gm6    # a minor sixth chord: Dorian\n4  | Gm6\n5  | Gm6\n5  | D7b9   # V7 of the Gm6 before it: the b13 is in the key, the b9 from the symbol\n6  | Em7b5  # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | A7b9   # V7 of D minor: b9 and b13 are in the key\n7  | Dm6    # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n8  | Dm6\n9  | Am7b5  # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | D7b9   # V7\u002Fiv in D minor: the b13 is in the key, the b9 from the symbol\n11 | Gm6    # a minor sixth chord: Dorian\n12 | Gm6\n13 | Dm6    # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n13 | Bm7b5  # iiø7 of E7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | E7b9   # V7 of V7: the dominant of the dominant, on the way to D minor: b9 and b13 are in the key\n14 | A7b9   # V7 of D minor, the chain's last link: b9 and b13 are in the key\n15 | Dm6    # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n16 | Dm6\n\nsection: B\n1  | Gm6    # a minor sixth chord: Dorian\n2  | Dm6    # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n3  | Em7b5  # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n3  | A7b9   # V7 of D minor: b9 and b13 are in the key\n4  | Dm6    # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n4  | D7b9   # V7\u002Fiv in D minor: the b13 is in the key, the b9 from the symbol\n5  | Gm6    # a minor sixth chord: Dorian\n6  | Dm6    # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n7  | E7     # II7 in D minor, not resolving: b9 and b13 are in the key\n7  | Bb7b9  # tritone substitute: resolves down a half step to A7b9; b9 from the symbol\n8  | A7b9   # V7 of D minor: b9 and b13 are in the key\n\nsection: A2\n1  | Dm6    # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n2  | Dm6\n3  | Gm6    # a minor sixth chord: Dorian\n4  | Gm6\n5  | Gm6\n5  | D7b9   # V7 of the Gm6 before it: the b13 is in the key, the b9 from the symbol\n6  | Em7b5  # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | A7b9   # V7 of D minor: b9 and b13 are in the key\n7  | Dm6    # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n8  | Dm6\n9  | Am7b5  # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | D7b9   # V7\u002Fiv in D minor: the b13 is in the key, the b9 from the symbol\n11 | Gm6    # a minor sixth chord: Dorian\n12 | Gm6\n13 | Dm6    # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n13 | Bm7b5  # iiø7 of E7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | E7b9   # V7 of V7: the dominant of the dominant, on the way to D minor: b9 and b13 are in the key\n14 | A7b9   # V7 of D minor, the chain's last link: b9 and b13 are in the key\n15 | Dm6    # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n16 | Dm6\n",1793575882653]