[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:below-zero":3},"title: Below Zero\nsubtitle: Straight-eighth Latin\ncomposer: Stefan Karlsson\nstyle: Even 8ths\nkey: Bb\nform: AABC\nrecording: Stefan Karlsson; Below Zero; Justice; 1993\nyoutube: rTiHO6Zs2qE\n# analysis: 2026-10-19, rules v2; Bb\n# recording: Stefan Karlsson with Rufus Reid, Marvin \"Smitty\" Smith, Rich Perry (tenor sax on some tracks), Justice JR 0703-2, the title track (Discogs ℗ 1993; Karlsson's own site gives 1994); the first recording of it, the composer leading: it is not on his two earlier Justice albums (Discogs, stefankarlssonjazz.com); video: \"Provided to YouTube by Virgin Music Group\", Below Zero, the same take\n\n# bar | chord | scale\n\nsection: A1\n# area: Bb major (A1 1 – A2 6)\n1  | BbMaj7#5  # from the symbol: #5\n2  | Ebm7\u002FBb   # a borrowed minor chord: Dorian, its own key\n3  | BbMaj7#5  # from the symbol: #5\n4  | Ebm7\u002FBb   # a borrowed minor chord: Dorian, its own key\n5  | E7#11     # tritone substitute: resolves down a half step to EbMaj7#5\n6  | EbMaj7#5  # from the symbol: #5\n8  | Em7b5     # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | A7        # V7\u002Fiii in Bb: b9 and b13 are in the key\n9  | Dm7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n9  | G7        # V7\u002Fii in Bb: the b13 is in the key\n10 | Cm7       # ii of the ii–V to Bb\n10 | F7        # V7 of Bb: natural tensions\n\nsection: A2\n1  | BbMaj7#5  # from the symbol: #5\n2  | Ebm7\u002FBb   # a borrowed minor chord: Dorian, its own key\n3  | BbMaj7#5  # from the symbol: #5\n4  | Ebm7\u002FBb   # a borrowed minor chord: Dorian, its own key\n5  | E7#11     # tritone substitute: resolves down a half step to EbMaj7#5\n6  | EbMaj7#5  # from the symbol: #5\n# area: D major (A2 8 – B 8)\n8  | Em7b5     # iiø7 of D: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | A7        # V7 of D: natural tensions\n9  | DMaj7#5   # from the symbol: #5\n9  | A7        # V7 of D: natural tensions\n10 | DMaj7#5   # from the symbol: #5\n10 | Ab7#11    # tritone substitute: resolves down a half step to GMaj7\n\nsection: B\n1  | GMaj7     # the Ab7#11 before it makes G the key of the moment: the 4th is in the key\n2  | C7#11     # ♭VII7 from the parallel minor: Lydian Dominant\n3  | Bbm7      # ii of Eb7b9: Dorian\n4  | Eb7b9     # extended ii–V: a side-step, its own key; b9 from the symbol\n5  | Am7       # ii of D7: Dorian\n6  | D7        # V7\u002FIV in D: natural tensions\n6  | Ebdim7    # vii°7 of Em11: B7♭9 without its root\n7  | Em11      # ii: Dorian, the key’s own notes\n7  | Dm11      # a borrowed minor chord: Dorian, its own key\n8  | Dbm7      # ii of Gb7: Dorian\n8  | Gb7       # extended ii–V: a side-step, its own key\n# area: Bb major (B 8 – C 6)\n8  | Cm7       # ii of the ii–V to Bb\n8  | F7        # V7 of Bb: natural tensions\n\nsection: C\nbars: 12\n1  | BbMaj7#5  # from the symbol: #5\n2  | Ebm7\u002FBb   # a borrowed minor chord: Dorian, its own key\n3  | BbMaj7#5  # from the symbol: #5\n4  | Ebm7\u002FBb   # a borrowed minor chord: Dorian, its own key\n5  | E7#11     # tritone substitute: resolves down a half step to EbMaj7\n6  | EbMaj7    # the E7#11 before it makes Eb the key of the moment: the 4th is in the key\n# area: Ab minor (C 7–8)\n7  | Em7b5     # iiø7 of A7: Locrian, the key's own notes (its ♭2 is a passing note)\n7  | A7        # tritone substitute: resolves down a half step to Abm11\n8  | Abm11     # tonic minor: Dorian by convention\n# area: Bb major (C 10)\n10 | Cm7b5     # iiø7 of Bb: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | F7        # V7 of Bb: natural tensions\n",1793484798031]