[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:bellarosa":3},"title: Bellarosa\ncomposer: Elmo Hope\nstyle: Medium Swing\nkey: Eb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: Intro\n1  | EbMaj7  # tonic: the 4th is in the key\n1  | C7      # V7\u002Fii in Eb: the b13 is in the key\n2  | Fm7     # ii: Dorian, the key’s own notes\n2  | F#dim7  # vii°7 of Gm7: D7♭9 without its root\n3  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | C7      # V7\u002Fii in Eb: the b13 is in the key\n4  | Fm7     # ii of the ii–V to Eb\n4  | Bb7     # V7 of Eb: natural tensions\n\nsection: A1\n1  | EbMaj7  # tonic: the 4th is in the key\n2  | Abm7    # ii of Db7: Dorian\n2  | Db7     # extended ii–V: a side-step, its own key\n3  | Fm7     # ii of Bb7: Dorian\n3  | Bb7     # V7\u002FI in Eb: natural tensions\n4  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | C7      # V7\u002Fii in Eb: the b13 is in the key\n5  | Fm7     # ii of Bb7: Dorian\n5  | Bb7     # V7\u002FI in Eb: natural tensions\n6  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | C7      # V7\u002Fii in Eb: the b13 is in the key\n7  | Fm7     # ii of the ii–V to Eb\n7  | Bb7     # V7 of Eb: natural tensions\n8  | Eb      # tonic: the 4th is in the key\n8  | C7      # V7\u002Fii in Eb: the b13 is in the key\n8  | Fm7     # ii of Bb7: Dorian\n8  | Bb7     # V7\u002FI in Eb: natural tensions\n9  | Fm7     # ii of the ii–V to Eb\n9  | Bb7     # V7 of Eb: natural tensions\n10 | Eb6     # tonic: the 4th is in the key\n10 | Bbm7    # a borrowed minor chord: Dorian, its own key\n10 | A7      # tritone substitute: resolves down a half step to AbMaj7\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | AbMaj7  # the A7 before it makes Ab the key of the moment: the 4th is in the key\n1  | Db7     # ♭VII7 from the parallel minor: Lydian Dominant\n2  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | C7      # V7\u002Fii in Eb: the b13 is in the key\n3  | Fm7     # ii of the ii–V to Eb\n3  | Bb7     # V7 of Eb: natural tensions\n4  | EbMaj7  # tonic: the 4th is in the key\n5  | Am7     # ii of D7: Dorian\n5  | D7      # extended ii–V: a side-step, its own key\n6  | Abm7    # ii of Db7: Dorian\n6  | Db7     # extended ii–V: a side-step, its own key\n7  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | C7      # V7\u002Fii in Eb: the b13 is in the key\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n\nsection: A2\n1  | EbMaj7  # tonic: the 4th is in the key\n2  | Abm7    # ii of Db7: Dorian\n2  | Db7     # extended ii–V: a side-step, its own key\n3  | Fm7     # ii of Bb7: Dorian\n3  | Bb7     # V7\u002FI in Eb: natural tensions\n4  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | C7      # V7\u002Fii in Eb: the b13 is in the key\n5  | Fm7     # ii of Bb7: Dorian\n5  | Bb7     # V7\u002FI in Eb: natural tensions\n6  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | C7      # V7\u002Fii in Eb: the b13 is in the key\n7  | Fm7     # ii of the ii–V to Eb\n7  | Bb7     # V7 of Eb: natural tensions\n8  | Eb      # tonic: the 4th is in the key\n8  | C7      # V7\u002Fii in Eb: the b13 is in the key\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n",1793575882578]