[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:bein-green":3},"title: Bein' Green\ncomposer: Joe Raposo\nstyle: Even 8ths\nkey: Bb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Bb\n\nsection: A1\n1 | BbMaj7    # tonic: the 4th is in the key\n2 | A7#5      # V7\u002Fiii in Bb: b9 and b13 are in the key, the #11 from the symbol\n3 | Dm7b5\u002FAb  # iiø7 of G7sus: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | G7sus     # VI7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n4 | G7b9      # V7\u002Fii in Bb: the b13 is in the key, the b9 from the symbol\n5 | Cm7       # ii of F7sus: Dorian\n6 | F7sus     # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n6 | F7        # V7 of Bb: natural tensions\n7 | BbMaj7    # tonic: the 4th is in the key\n8 | BbMaj7\n8 | Ab\u002FEb     # ♭VII, borrowed from Bb minor: Lydian (its ♯11 is in the key)\n8 | Gb\u002FDb     # ♭VI, borrowed from Bb minor: Lydian (its ♯11 is in the key)\n8 | F7\u002FC      # V7 of Bb: natural tensions\n9 | Bb6       # tonic: the 4th is in the key\n@ending 1 8\n@ending 2 9\n\nsection: B\n1 | AbMaj7    # ♭VIImaj7, borrowed from Bb minor: Lydian (its ♯11 is in the key)\n2 | DbMaj7    # ♭IIImaj7, borrowed from Bb minor: Lydian (its ♯11 is in the key)\n3 | BbMaj7    # tonic: the 4th is in the key\n4 | BbMaj7\n5 | Gm        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5 | GmMaj7    # from the symbol: minor-major 7th\n6 | Gm7       # ii of C7: Dorian\n6 | C7        # V7\u002FV in Bb: natural tensions\n7 | Cm7       # ii of the ii–V to Bb\n8 | F7        # V7 of Bb: natural tensions\n\nsection: A2\n1 | BbMaj7    # tonic: the 4th is in the key\n2 | A7#5      # V7\u002Fiii in Bb: b9 and b13 are in the key, the #11 from the symbol\n3 | Dm7b5\u002FAb  # iiø7 of G7sus: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | G7sus     # VI7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n4 | G7b9      # V7\u002Fii in Bb: the b13 is in the key, the b9 from the symbol\n5 | Cm7       # ii of F7sus: Dorian\n6 | F7sus     # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n6 | F7        # V7 of Bb: natural tensions\n7 | Bb6       # tonic: the 4th is in the key\n8 | Cm7       # ii of the ii–V to Bb\n8 | F7        # V7 of Bb: natural tensions\n",1793575882567]