[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:beijo-partido":3},"title: Beijo Partido\ncomposer: Toninho Horta\nstyle: Bossa Nova\nkey: Em\nform: AABC, 40 bars\nrecording: Toninho Horta e Orquestra Fantasma; Terra dos Pássaros; EMI-Odeon; 1980\nyoutube: Sd5gieOMt3c\n# analysis: 2026-10-28, rules v2; E minor\n# recording: recorded July 1976 to September 1979 (Los Angeles, São Paulo, Rio), EMI 31C 064 422855, as the medley \"Terra dos Pássaros \u002F Beijo Partido\"; the composer's own first recording, rule 1; Milton Nascimento recorded it first on Minas (EMI-Odeon 1975); sources: Discogs; video: Dubas Música (the album's reissue label) channel upload, Terra dos Pássaros \u002F Beijo Partido, 5:50\n\nsection: A\n# area: E minor (A 1 – C 2)\n1  | Em7       # ii of A7sus: Dorian\n2  | A7sus     # static sus: Mixolydian\n2  | A7sus\u002FG   # static sus: Mixolydian\n3  | F#7alt    # from the symbol: altered\n4  | B7alt     # from the symbol: altered\n4  | B7alt\u002FEb  # from the symbol: altered\n5  | Em7       # tonic minor: Dorian by convention\n5  | Em7\u002FD     # tonic minor: Dorian by convention\n6  | G#m7b5    # iiø7 of C#7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | C#7b9     # extended dominant: V7 of F#7sus; b9 from the symbol\n7  | F#7sus    # static sus: Mixolydian\n8  | C#7sus    # static sus: Mixolydian\n8  | Csus      # static sus: Mixolydian\n9  | B13       # tritone substitute: resolves down a half step to Bb13\n10 | Bb13      # tritone substitute: resolves down a half step to A13\n10 | A13       # V7\u002FbVII in E minor: natural tensions\n11 | DMaj7#5   # from the symbol: #5\n11 | D6        # ♭VII of E minor: D major, the notes of E Dorian\n12 | C7#11     # tritone substitute: resolves down a half step to B7b9\n12 | B7b9      # V7 in E minor, not resolving: b9 and b13 are in the key\n13 | B13       # tritone substitute: resolves down a half step to Bb13\n14 | Bb13      # tritone substitute: resolves down a half step to A13\n14 | A13       # V7\u002FbVII in E minor: natural tensions\n15 | DMaj7#5   # from the symbol: #5\n15 | D6        # ♭VII of E minor: D major, the notes of E Dorian\n16 | C7        # bVI7 in E minor, not resolving: the #11 is in the key\n16 | G#m9      # a borrowed minor chord: Dorian, its own key\n16 | C#m9      # a borrowed minor chord: Dorian, its own key\n16 | D#m       # a borrowed minor chord: Dorian, its own key\n@ending 1 9 12\n@ending 2 13 16\n\nsection: B\n1  | Em7       # ii of A7sus: Dorian\n2  | A7sus     # static sus: Mixolydian\n2  | A7sus\u002FG   # static sus: Mixolydian\n3  | F#7alt    # from the symbol: altered\n4  | B7alt     # from the symbol: altered\n4  | B7alt\u002FEb  # from the symbol: altered\n5  | Em7       # tonic minor: Dorian by convention\n5  | Em7\u002FD     # tonic minor: Dorian by convention\n6  | G#m7b5    # iiø7 of C#7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | C#7b9     # extended dominant: V7 of F#7sus; b9 from the symbol\n7  | F#7sus    # static sus: Mixolydian\n8  | C#7sus    # static sus: Mixolydian\n8  | Csus      # static sus: Mixolydian\n\nsection: C\n1  | B13       # V7 in E minor, not resolving: the b9 is in the key, the 13 from the symbol\n2  | G#7sus    # static sus: Mixolydian\n# area: B major (C 2–4)\n2  | F#7sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n3  | B69       # tonic: the 4th is in the key\n3  | Bbmb6     # from the symbol: b6\n4  | G#m7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: E minor (C 5 – Coda2 8)\n5  | Em11      # ii of A13: Dorian\n6  | A13       # V7\u002FbVII in E minor: natural tensions\n7  | Em11      # tonic minor: Dorian by convention\n8  | F#m11     # ii of the ii–V to E minor\n8  | B7b9      # V7 of E minor: b9 and b13 are in the key\n@coda 4\n@nav 8 D.C. al Coda\n\nsection: Coda1\n1  | Em11      # ii of A13: Dorian\n2  | A13       # V7\u002FbVII in E minor: natural tensions\n3  | Em11      # tonic minor: Dorian by convention\n4  | F#m11     # a borrowed minor chord: Dorian, its own key\n5  | Em11      # ii of A13: Dorian\n6  | A13       # V7\u002FbVII in E minor: natural tensions\n7  | Em11      # tonic minor: Dorian by convention\n8  | F#m11     # a borrowed minor chord: Dorian, its own key\n@coda 1\n@nav 8 Fine\n\nsection: Coda2\ncopy: Coda1\n",1793484798019]