[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:beauty-and-the-beast":3},"title: Beauty And The Beast\ncomposer: Wayne Shorter\nstyle: Funk\nkey: F\nform: AA, 28 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: Intro\n# area: F major (Intro 1 – A 3)\n1  | F13      # tritone substitute: resolves down a half step to E7#9\n2  | F13\n3  | F13\n4  | F13\n5  | F13\n6  | F13\n7  | F13\n8  | F13\n8  | E7#9     # V7\u002Fiii in F: the b13 is in the key, b9, #9 and #11 from the symbol\n\nsection: A\n1  | Am7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | B7#9#5   # V7 of E7#9, on the way to A minor: the b13 is in the key, b9, #9 and #11 from the symbol\n2  | E7#9     # V7 of A minor, the chain's last link: the b13 is in the key, b9, #9 and #11 from the symbol\n3  | Am7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n# area: F minor (A 4–5)\n4  | Gm7      # ii of the ii–V to F minor\n4  | C7#9     # V7 of F minor: the b13 is in the key, b9, #9 and #11 from the symbol\n5  | Fm7      # tonic minor: Dorian by convention\n# area: Db major (A 6–20)\n6  | Ebm7     # ii of the ii–V to Db\n6  | Ab13     # V7 of Db: natural tensions\n7  | DbMaj9   # tonic: the 4th is in the key\n8  | C7alt    # from the symbol: altered\n9  | F13      # tritone substitute: resolves down a half step to E7#9\n10 | F13\n11 | F13\n12 | F13\n12 | E7#9     # ♭III7 from the parallel minor: Lydian Dominant; b9 and #9 from the symbol\n13 | Bm11     # ii of the ii–V to A minor\n13 | E7       # V7\u002Fbvi in Db: the #11 is in the key\n14 | Am11     # ii of D7: Dorian\n14 | D7       # V7\u002F#iv in Db: b9, #11 and b13 are in the key\n15 | Gm7b5\u002FC  # iiø7 of C7#9: Locrian, the key's own notes (its ♭2 is a passing note)\n16 | C7#9     # extended dominant: V7 of F13; b9, #9 and #11 from the symbol\n17 | F13      # static dominant: its own mode\n18 | F13\n19 | F13\n20 | F13\n@ending 1 9 12\n@ending 2 13 20\n",1793575882526]