[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:beautiful-love":3},"title: Beautiful Love\ncomposer: Victor Young, Wayne King, Egbert Van Alstyne\nstyle: Medium swing\nkey: Dm\nform: ABAC, 32 bars\nrecording: Bill Evans Trio; Explorations; Riverside; 1961\nyoutube: 7cdVTEe5Tyw\n# analysis: 2026-10-19, rules v2; D minor\n# recording: recorded 1961-02-02, Bell Sound, NYC (Scott LaFaro, Paul Motian), take 2, Riverside RLP 351, released 1961; the chart follows Bill Evans, and this is his first studio recording of it; sources: Wikipedia, jazzdisco; video: Craft Recordings upload on the Bill Evans channel, from Explorations, the same take (not take 1)\n# as played by Bill Evans; originally written in 3\u002F4\n# the book: a 16-bar form with 1st and 2nd endings; the pickup bar has no chord\n\n# bar | chord\n\nsection: A\nbars: 20\n# area: D minor (A 1–3)\n1  | Em7b5  # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | A7#5   # V7 of D minor: b9 and b13 are in the key, the #11 from the symbol\n3  | Dm     # tonic minor: Dorian by convention\n# alt: bar 4 (D7)\n# area: F major (A 5–7)\n5  | Gm7    # ii of the ii–V to F\n6  | C7     # V7 of F: natural tensions\n7  | FMaj7  # tonic: the 4th is in the key\n# area: D minor (A 8–19)\n8  | Em7b5  # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | A7     # V7 of D minor: b9 and b13 are in the key\n9  | Dm     # tonic minor: Dorian by convention\n10 | Gm7    # iv: Dorian, the key’s own notes\n11 | Bb7    # tritone substitute: resolves down a half step to A7\n# alt: bar 11 (E7), from beat 3\n12 | A7     # V7 of D minor: b9 and b13 are in the key\n13 | Dm     # tonic minor: Dorian by convention\n14 | B7b5   # V7\u002Fii in D minor: 9, #11 and 13 from the symbol\n# alt: bar 14 (G7#11)\n15 | Em7b5  # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n# alt: bar 15 (E7)\n16 | A7     # V7 of D minor: b9 and b13 are in the key\n@ending 1 13 16\n17 | Dm     # tonic minor: Dorian by convention\n17 | B7#9   # tritone substitute: resolves down a half step to Bb7; b9 and #9 from the symbol\n18 | Bb7    # tritone substitute: resolves down a half step to A7\n18 | A7     # V7 of D minor: b9 and b13 are in the key\n19 | Dm     # tonic minor: Dorian by convention\n@ending 2 17 19\n# bars 19–20: Dm held (the 2nd ending is 4 bars)\n",1793484798009]