[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:bean-and-the-boys":3},"title: Bean And The Boys\ncomposer: Coleman Hawkins\nstyle: Up Tempo Swing\nkey: Ab\nform: AABC, 64 bars\n# analysis: 2026-10-31, rules v2; Ab\n\nsection: A\n1  | Ab6     # tonic: the 4th is in the key\n2  | Ab6\n3  | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | C7b9    # V7\u002Fvi in Ab: b9 and b13 are in the key\n5  | Fm7     # ii of Bb7: Dorian\n6  | Fm7\n7  | Bb7     # V7\u002FV in Ab: natural tensions\n8  | Bm7b5   # biiiø7 in Ab: Locrian, its own mode (the chord is outside the key)\n9  | Ab6\u002FC   # tonic: the 4th is in the key\n10 | Fm7     # ii of Bb7: Dorian\n11 | Bb7     # V7 of V7: the dominant of the dominant: natural tensions\n12 | Eb7     # V7 of Ab: natural tensions\n13 | Ab6     # tonic: the 4th is in the key\n13 | Ab6\u002FC   # tonic: the 4th is in the key\n14 | Db6     # IV: the #4 is the key’s 7th\n14 | Ddim7   # ♯IV°7 to I over its 5th: G7♭9 without its root, the ♯II°7's notes\n15 | Ab6\u002FEb  # tonic: the 4th is in the key\n15 | Fm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n16 | Bbm7    # ii of Eb7: Dorian\n16 | Eb7     # V7\u002FI in Ab: natural tensions\n17 | Db6     # IV: the #4 is the key’s 7th\n17 | Ddim7   # ♯IV°7 to I over its 5th: G7♭9 without its root, the ♯II°7's notes\n18 | Ab6\u002FEb  # tonic: the 4th is in the key\n19 | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n19 | C7b9    # V7\u002Fvi in Ab: b9 and b13 are in the key\n@ending 1 14 16\n@ending 2 17 19\n\nsection: B\n1  | Fm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Fm7\n3  | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n3  | C7b9    # V7\u002Fvi in Ab: b9 and b13 are in the key\n4  | Fm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | Gm7b5   # iiø7 of C7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | C7b9    # V7\u002Fvi in Ab: b9 and b13 are in the key\n7  | Db7     # tritone substitute: resolves down a half step to C7b9\n8  | C7b9    # V7\u002Fvi in Ab: b9 and b13 are in the key\n9  | Fm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n10 | Fm7\n11 | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n11 | C7b9    # V7\u002Fvi in Ab: b9 and b13 are in the key\n12 | Fm7     # ii of Bb7: Dorian\n13 | Bb7     # V7\u002FV in Ab: natural tensions\n14 | Bb7\n15 | Bbm7    # ii of the ii–V to Ab\n16 | Eb7     # V7 of Ab: natural tensions\n\nsection: C\n1  | Ab6     # tonic: the 4th is in the key\n2  | Ab6\n3  | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | C7b9    # V7\u002Fvi in Ab: b9 and b13 are in the key\n5  | Fm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Fm7\n7  | F#dim7  # passing diminished: Ab7♭9 without its Ab, the Db6's dominant; not functioning diatonically: the symmetric scale\n8  | F#dim7\n9  | Db6     # IV: the #4 is the key’s 7th\n10 | Db6\n11 | Db6\n12 | Dbm6    # a minor sixth chord: Dorian\n12 | Eb7     # V7 of Ab: natural tensions\n13 | Ab6     # tonic: the 4th is in the key\n14 | Bbm7    # ii of the ii–V to Ab\n14 | Eb7     # V7 of Ab: natural tensions\n15 | Ab6     # tonic: the 4th is in the key\n16 | Bbm7    # ii of the ii–V to Ab\n16 | Eb7     # V7 of Ab: natural tensions\n",1793575882448]