[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:be-my-love":3},"title: Be My Love\ncomposer: Nikolaus Brodszky\nstyle: Medium Swing\nkey: G\nform: ABAC, 36 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A1\n1  | Gsus     # static sus: Mixolydian\n1  | GMaj7    # tonic: the 4th is in the key\n2  | GMaj7\n3  | F#m7b5   # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | B7b9     # V7\u002Fvi in G: b9 and b13 are in the key\n5  | Em7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Em7\n7  | C#m7b5   # #ivø7 in G: Locrian, its own mode (the chord is outside the key)\n7  | C7b5     # tritone substitute: resolves down a half step to Bm7\n8  | Bm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | E7b9     # extended ii–V: a side-step, its own key; b9 from the symbol\n\nsection: B\n1  | Ddim7\u002FA  # passing diminished: E7♭9 without its E, the Am7's dominant; not functioning diatonically: the symmetric scale\n1  | Am7      # ii: Dorian, the key’s own notes\n2  | Am7\n3  | Bbdim7   # vii°7 of Bm7: F#7♭9 without its root\n3  | Bm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Bm7\n5  | Em7      # ii of A7: Dorian\n6  | A7       # V7\u002FV in G: natural tensions\n7  | Am7      # ii of D7: Dorian\n8  | D7       # extended dominant: V7 of Gsus\n\nsection: A2\n1  | Gsus     # static sus: Mixolydian\n1  | GMaj7    # tonic: the 4th is in the key\n2  | GMaj7\n3  | F#m7b5   # iiø7 of E minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | B7b9     # V7\u002Fvi in G: b9 and b13 are in the key\n5  | Em7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Em7\n7  | C#m7b5   # #ivø7 in G: Locrian, its own mode (the chord is outside the key)\n7  | C7b5     # tritone substitute: resolves down a half step to Bm7\n8  | Bm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | E7b9     # extended ii–V: a side-step, its own key; b9 from the symbol\n\nsection: C\n1  | Ddim7\u002FA  # passing diminished: E7♭9 without its E, the Am7's dominant; not functioning diatonically: the symmetric scale\n1  | Am7      # ii: Dorian, the key’s own notes\n2  | Am7\n3  | Bbdim7   # vii°7 of Bm7: F#7♭9 without its root\n3  | Bm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Em7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | Am7      # ii of D7: Dorian\n6  | D7       # V7\u002FI in G: natural tensions\n7  | F7#11    # tritone substitute: resolves down a half step to E7b13\n8  | E7b13    # V7\u002Fii in G: the b13 is in the key\n9  | Am7      # ii of the ii–V to G\n10 | D7       # V7 of G: natural tensions\n11 | G6       # tonic: the 4th is in the key\n12 | G6\n",1793575882437]