[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:bark-for-barksdale":3},"title: Bark For Barksdale\ncomposer: Gerry Mulligan\nstyle: Up Tempo Swing\nkey: F\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n1 | F      # tonic: the 4th is in the key\n2 | F\n3 | Gm7    # ii of the ii–V to F\n4 | C7     # V7 of F: natural tensions\n5 | F      # tonic: the 4th is in the key\n6 | Bb7    # IV7 in F, not resolving: the #11 is in the key\n7 | G7     # V7 of V7: the dominant of the dominant: natural tensions\n7 | C7     # V7 of F: natural tensions\n8 | F      # tonic: the 4th is in the key\n\nsection: A2\ncopy: A1\n\nsection: B\n1 | Bb     # IV: the #4 is the key’s 7th\n2 | Bb\n3 | Cm7    # ii of the ii–V to Bb\n4 | F7     # V7\u002FIV in F: natural tensions\n5 | Bb     # the F7 before it makes Bb the key of the moment: the 4th is in the key\n6 | Eb7    # ♭VII7 from the parallel minor: Lydian Dominant\n7 | C7     # extended dominant: V7 of F7\n7 | F7     # V7\u002FIV in F: natural tensions\n8 | Bb     # the F7 before it makes Bb the key of the moment: the 4th is in the key\n8 | C7     # V7 of F: natural tensions\n\nsection: A3\n1 | F      # tonic: the 4th is in the key\n2 | F\n3 | Gm7    # ii of the ii–V to F\n4 | C7     # V7 of F: natural tensions\n5 | F      # tonic: the 4th is in the key\n6 | Bb7    # IV7 in F, not resolving: the #11 is in the key\n7 | G7     # V7 of V7: the dominant of the dominant: natural tensions\n7 | C7     # V7 of F: natural tensions\n8 | F      # tonic: the 4th is in the key\n@coda 6\n\nsection: Coda\n1 | Bm7b5  # #ivø7 in F: Locrian, its own mode (the chord is outside the key)\n1 | Bbm7   # iv7 from the parallel minor: Dorian, its notes\n2 | A7     # tritone substitute: resolves down a half step to Ab7\n3 | Ab7    # tritone substitute: resolves down a half step to G7\n3 | G7     # V7 of V7: the dominant of the dominant: natural tensions\n4 | C7     # V7 of F: natural tensions\n5 | F      # tonic: the 4th is in the key\n6 | F\n@coda 1\n",1793575882312]