[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:baltimore-oriole":3},"title: Baltimore Oriole\ncomposer: Hoagy Carmichael\nstyle: Ballad\nkey: Gm\nform: AB, 36 bars\n# analysis: 2026-10-31, rules v2; G minor\n\nsection: A\n1  | Gm7     # tonic minor: Dorian by convention\n1  | Gm7\u002FF   # ii of C9\u002FE: Dorian\n2  | C9\u002FE    # V7\u002FbVII in G minor: natural tensions\n2  | Cm6\u002FEb  # a minor sixth chord: Dorian\n3  | Gm7     # tonic minor: Dorian by convention\n4  | Dm7     # ii of the ii–V to C minor\n4  | G7b9    # V7\u002Fiv in G minor: the b13 is in the key, the b9 from the symbol\n5  | Cm7     # ii of F7: Dorian\n6  | F7      # V7\u002FbIII in G minor: natural tensions\n6  | Ab7     # tritone substitute: resolves down a half step to Gm7\n7  | Gm7     # ii of C9: Dorian\n8  | C9      # V7\u002FbVII in G minor: natural tensions\n9  | Cm7     # iv: Dorian, the key’s own notes\n10 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | D7#9    # V7 of G minor: the b13 is in the key, b9, #9 and #11 from the symbol\n11 | Gm7     # ii of C9: Dorian\n12 | Gm7\n12 | C9      # V7\u002FbVII in G minor: natural tensions\n13 | Am7b5   # iiø7 in G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | Eb7     # tritone substitute: resolves down a half step to D7b9\n15 | D7b9    # V7 in G minor, not resolving: b9 and b13 are in the key\n16 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n16 | D7b9    # V7 of G minor: b9 and b13 are in the key\n\nsection: B\n1  | Gm7     # tonic minor: Dorian by convention\n1  | Gm7\u002FF   # ii of C9\u002FE: Dorian\n2  | C9\u002FE    # V7\u002FbVII in G minor: natural tensions\n2  | Cm6\u002FEb  # a minor sixth chord: Dorian\n3  | Gm7     # tonic minor: Dorian by convention\n4  | Dm7     # ii of the ii–V to C minor\n4  | G7b9    # V7\u002Fiv in G minor: the b13 is in the key, the b9 from the symbol\n5  | Cm7     # ii of F7: Dorian\n6  | F7      # V7\u002FbIII in G minor: natural tensions\n6  | Ab7     # tritone substitute: resolves down a half step to Gm7\n7  | Gm7     # ii of C9: Dorian\n8  | C9      # V7\u002FbVII in G minor: natural tensions\n9  | Cm7     # iv: Dorian, the key’s own notes\n10 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | D7#9    # V7 of G minor: the b13 is in the key, b9, #9 and #11 from the symbol\n11 | Gm7     # ii of C9: Dorian\n12 | Gm7\n12 | C9      # V7\u002FbVII in G minor: natural tensions\n13 | Am7b5   # iiø7 in G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | Eb7     # tritone substitute: resolves down a half step to D7b9\n14 | D7b9    # V7 of G minor: b9 and b13 are in the key\n15 | Gm7     # tonic minor: Dorian by convention\n15 | Gm7\u002FF   # tonic minor: Dorian by convention\n16 | Em7b5   # viø7 in G minor: Locrian, its own mode (the chord is outside the key)\n16 | Eb7     # bVI7 in G minor, not resolving: the #11 is in the key\nalt 16 | Eb7     # tritone substitute: resolves down a half step to D7b13\nalt 16 | D7b13   # V7 of G minor: b9 and b13 are in the key\n17 | Gm7     # tonic minor: Dorian by convention\n17 | Gm7\u002FF   # tonic minor: Dorian by convention\n18 | Em7b5   # viø7 in G minor: Locrian, its own mode (the chord is outside the key)\n18 | Eb7     # bVI7 in G minor, not resolving: the #11 is in the key\nalt 18 | Eb7     # tritone substitute: resolves down a half step to D7b13\nalt 18 | D7b13   # V7 of G minor: b9 and b13 are in the key\n19 | Gm7     # tonic minor: Dorian by convention\n20 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n20 | D7b9    # V7 of G minor: b9 and b13 are in the key\n",1793575882277]