[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:ballade":3},"title: Ballade\ncomposer: Charlie Parker\nstyle: Ballad\nkey: F\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n1 | FMaj7   # tonic: the 4th is in the key\n2 | Em7b5   # iiø7 of A7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | A7b9    # extended dominant: V7 of D7; b9 from the symbol\n3 | D7      # extended dominant: V7 of G7\n4 | D7\n5 | G7      # II7 in F, not resolving: natural tensions\n6 | Gm7     # ii of the ii–V to F\n6 | C7      # V7 of F: natural tensions\n7 | FMaj7   # tonic: the 4th is in the key\n7 | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8 | Gm7     # ii of the ii–V to F\n8 | C7      # V7 of F: natural tensions\n\nsection: A2\n1 | FMaj7   # tonic: the 4th is in the key\nalt 1 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | Em7b5   # iiø7 of A7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | A7b9    # extended dominant: V7 of D7; b9 from the symbol\n3 | D7      # extended dominant: V7 of G7\n4 | D7\n5 | G7      # II7 in F, not resolving: natural tensions\n6 | Gm7     # ii of the ii–V to F\n6 | C7      # V7 of F: natural tensions\n7 | F6      # tonic: the 4th is in the key\n8 | F6\n\nsection: B\n1 | Cm7     # ii of the ii–V to Bb\n1 | F7      # V7\u002FIV in F: natural tensions\n2 | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n3 | Bbm7    # ii of Eb7: Dorian\n3 | Eb7     # back door bVII7 to FMaj7: the #11 is in the key\n4 | FMaj7   # tonic: the 4th is in the key\n4 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | A7      # V7\u002Fvi in F: b9 and b13 are in the key\n5 | Dm7     # ii of G7: Dorian\n6 | Dm7\n6 | G7      # V7\u002FV in F: natural tensions\n7 | Gm7     # ii: Dorian, the key’s own notes\n7 | D7#9    # V7\u002Fii in F: the b13 is in the key, b9, #9 and #11 from the symbol\n8 | Gm7     # ii of the ii–V to F\n8 | C7#9    # V7 of F: b9, #9 and #11 from the symbol\n\nsection: A3\n1 | FMaj7   # tonic: the 4th is in the key\n2 | Em7b5   # iiø7 of A7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | A7b9    # extended dominant: V7 of D7; b9 from the symbol\n3 | D7      # extended dominant: V7 of G7\n4 | D7\n5 | G7      # II7 in F, not resolving: natural tensions\n6 | Gm7     # ii of the ii–V to F\n6 | C7      # V7 of F: natural tensions\n7 | F6      # tonic: the 4th is in the key\n8 | F6\n",1793575882249]