[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:baila-comigo":3},"title: Baila Comigo\ncomposer: Rita Lee, Roberto de Carvalho\nstyle: Bossa Nova\nkey: A\nform: AABB, 46 bars\nrecording: Rita Lee; Rita Lee; Som Livre; 1980\nyoutube: PwL5WGK-rBU\n# analysis: 2026-10-28, rules v2; A\n# recording: the 1980 album Rita Lee (also known as Lança Perfume), prod. Guto Graça Mello, Rita Lee and Roberto de Carvalho's own first recording, rule 1; sources: Wikipedia (Rita Lee 1980 album), YouTube Topic credits; video: Universal Music Group \"Provided to YouTube\" upload, Rita Lee, released 1980-05-05, 5:31\n\nsection: Intro\n# area: A major (Intro 1 – A1 5)\n1  | E      # V without its 7th: Mixolydian, the key’s own notes\n2  | E+     # from the symbol: augmented\n3  | E6     # a non-tonic major chord: Lydian\n4  | E7     # V7 of A: natural tensions\n\nsection: A1\n1  | AMaj7  # tonic: the 4th is in the key\n2  | Bm7    # ii of the ii–V to A\n2  | E7     # V7 of A: natural tensions\n3  | AMaj7  # tonic: the 4th is in the key\n4  | Bm7    # ii of the ii–V to A\n4  | E7     # V7 of A: natural tensions\n5  | AMaj7  # tonic: the 4th is in the key\n# area: G major (A1 6–7)\n6  | Am7    # ii of the ii–V to G\n6  | D7     # V7 of G: natural tensions\n7  | GMaj7  # tonic: the 4th is in the key\n# area: F major (A1 8–10)\n8  | C7     # V7 of F: natural tensions\n9  | FMaj7  # tonic: the 4th is in the key\n10 | B7sus  # ♯IV7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n# area: A major (A1 10 – A2 5)\n10 | B7     # V7\u002FV in A: natural tensions\n11 | E      # V without its 7th: Mixolydian, the key’s own notes\n12 | E+     # from the symbol: augmented\n13 | E6     # a non-tonic major chord: Lydian\n14 | E7     # V7 of A: natural tensions\n@segno 1\n\nsection: A2\ncopy: A1\n\nsection: B1\n1  | Bm7    # ii of the ii–V to A\n1  | E7     # V7 of A: natural tensions\n2  | AMaj7  # tonic: the 4th is in the key\n2  | F#m7   # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Bm7    # ii of the ii–V to A\n3  | E7     # V7 of A: natural tensions\n4  | AMaj7  # tonic: the 4th is in the key\n4  | F#m7   # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | Bm7    # ii of the ii–V to A\n5  | E7     # V7 of A: natural tensions\n6  | AMaj7  # tonic: the 4th is in the key\n6  | F#m7   # ii of the ii–V to E\n7  | B9     # V7\u002FV in A: natural tensions\n8  | E      # V without its 7th: Mixolydian, the key’s own notes\n8  | E+     # from the symbol: augmented\n9  | E6     # a non-tonic major chord: Lydian\n9  | E7     # V7 in A, not resolving: natural tensions\n@nav 9 D.S. al Coda\n@coda 9\n\nsection: B2\ncopy: B1\n\nsection: Coda\n1  | AMaj7  # tonic: the 4th is in the key\n@coda 1\n",1793484797886]