[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:backstage-sally":3},"title: Backstage Sally\ncomposer: Wayne Shorter\nstyle: Medium Swing\nkey: Fm\nform: A, 16 bars\n# analysis: 2026-10-31, rules v2; F minor\n\nsection: A\n1  | Fm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n1  | D7#9    # extended dominant: each one falls a fifth into the next: b9, #9 and #11 from the symbol\n2  | G7#5    # V7 of V7: the dominant of the dominant: #11 and b13 from the symbol\n2  | C7#9    # V7 in F minor, not resolving: the b13 is in the key, b9, #9 and #11 from the symbol\n3  | Ebm7    # ii of Ab7: Dorian\n3  | Ab7     # V7\u002FbVI in F minor: natural tensions\n4  | Cm7     # ii of the ii–V to Bb minor\n4  | F7      # V7\u002Fiv in F minor: the b13 is in the key\n5  | Bbm6    # a minor sixth chord: Dorian\n5  | Ab7     # tritone substitute: resolves down a half step to G7#5\n6  | G7#5    # tritone substitute: resolves down a half step to Gb7; b13 from the symbol\n6  | Gb7     # tritone substitute: resolves down a half step to Fm7\n7  | Fm7     # ii of the ii–V to Eb minor\n7  | Bb7     # V7\u002Fbvii in F minor: natural tensions\n8  | Ebm7    # ii of Ab7: Dorian\n8  | Ab7     # V7\u002FbVI in F minor: natural tensions\n9  | D7b9    # extended dominant: each one falls a fifth into the next: the b9 from the symbol\n9  | G7      # V7 of V7: the dominant of the dominant: natural tensions\n10 | C7#9    # extended dominant: V7 of F7; b9, #9 and #11 from the symbol\n10 | F7      # extended dominant: V7 of Bb7#9\n11 | Bb7#9   # extended dominant: V7 of Eb7; b9, #9 and #11 from the symbol\n11 | Eb7     # bVII7 in F minor, not resolving: natural tensions\n12 | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | C7#5    # V7 of F minor: b9 and b13 are in the key, the #11 from the symbol\n13 | Fm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n13 | D7#9    # extended dominant: each one falls a fifth into the next, on the way to F minor: the b13 is in the key, b9, #9 and #11 f…\n14 | G7#5    # V7 of V7: the dominant of the dominant, on the way to F minor: b9 and b13 are in the key, the #11 from the symbol\n14 | C7#9    # V7 of F minor, the chain's last link: the b13 is in the key, b9, #9 and #11 from the symbol\n15 | Fm7     # tonic minor: Dorian by convention\n15 | Ab7     # V7\u002FbVI in F minor: natural tensions\n16 | DbMaj7  # a non-tonic major chord: Lydian\n16 | Gb7     # tritone substitute: resolves down a half step to Fm6\n",1793575882173]