[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:baby-steps":3},"title: Baby Steps\ncomposer: Jeff Jenkins\nstyle: Medium up\nkey: Eb\nform: AAB\n# analysis: 2026-10-19, rules v2; Eb\n\n# bar | chord | scale\n\nsection: Intro\n# area: B major (Intro 1–9)\n1  | EbMaj7   # a non-tonic major chord: Lydian\n2  | DMaj7    # ♭IIImaj7, borrowed from B minor: Lydian (its ♯11 is in the key)\n3  | GMaj7    # ♭VImaj7, borrowed from B minor: Lydian (its ♯11 is in the key)\n4  | F#7      # V7 of B: natural tensions\n5  | BMaj7    # tonic: the 4th is in the key\n6  | Ab\u002FBb    # a non-tonic major chord: Lydian\n7  | EbMaj7   # a non-tonic major chord: Lydian\n8  | Gb7      # V7 of B: natural tensions\n9  | BMaj7    # tonic: the 4th is in the key\n# area: Eb major (Intro 10–15)\n10 | Bbsus4   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n11 | EbMaj7   # tonic: the 4th is in the key\n12 | DMaj7    # a non-tonic major chord: Lydian\n13 | GMaj7    # a non-tonic major chord: Lydian\n14 | Bb7      # V7 of Eb: natural tensions\n15 | EbMaj7   # tonic: the 4th is in the key\n# area: B major (Intro 16 – A1 1)\n16 | C#m7     # ii of the ii–V to B\n16 | F#7      # V7 of B: natural tensions\n\nsection: A1\n# the 16-bar intro doubles as the ending\n1  | BMaj7   | B Ionian  # keep: B is a Coltrane-cycle tonic, in the repeat too\n# area: G major (A1 1–2)\n1  | D7       # V7 of G: natural tensions\n2  | GMaj7    # tonic: the 4th is in the key\n# area: Eb major (A1 2–3)\n2  | Bb7      # V7 of Eb: natural tensions\n3  | EbMaj7   # tonic: the 4th is in the key\n# area: G major (A1 4–5)\n4  | Am7      # ii of the ii–V to G\n4  | D7       # V7 of G: natural tensions\n5  | GMaj7    # tonic: the 4th is in the key\n# area: Eb major (A1 5–6)\n5  | Bb7      # V7 of Eb: natural tensions\n6  | EbMaj7   # tonic: the 4th is in the key\n# area: B major (A1 6–7)\n6  | Gb7      # V7 of B: natural tensions\n7  | BMaj7    # tonic: the 4th is in the key\n# area: Eb major (A1 8 – A2 1)\n8  | Fm7      # ii of Bb7: Dorian\n8  | Bb7      # V7\u002FI in Eb: natural tensions\n\nsection: A2\ncopy: A1\n\nsection: B\n1  | EbMaj7   # tonic: the 4th is in the key\n2  | Am7\u002FD    # VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n# area: G major (B 2–3)\n2  | D7       # V7 of G: natural tensions\n3  | GMaj7\u002FD  # tonic: the 4th is in the key\n# area: B major (B 4–5)\n4  | C#m7     # ii of the ii–V to B\n4  | F#7      # V7 of B: natural tensions\n5  | BMaj7    # tonic: the 4th is in the key\n# area: Eb major (B 6–7)\n6  | Fm7      # ii of the ii–V to Eb\n6  | Bb7      # V7 of Eb: natural tensions\n7  | EbMaj7   # tonic: the 4th is in the key\n# area: B major (B 8)\n8  | C#m7     # ii of the ii–V to B\n8  | F#7      # V7 of B: natural tensions\n",1793484797831]