[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:autumn-nocturne":3},"title: Autumn Nocturne\ncomposer: Gannon, Myrow\nstyle: Slow Swing\nkey: C\nform: AABC, 36 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A\n# area: C major (A 1–11)\n1  | C69     # tonic: the 4th is in the key\n1  | A7b9    # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n2  | Dm9     # ii of G7b9: Dorian\n2  | G7b9    # V7\u002FI in C: the b9 from the symbol\n3  | Am      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Am\u002FG    # ii of D7\u002FF#: Dorian\n4  | D7\u002FF#   # V7\u002FV in C: natural tensions\n4  | Fm6     # a minor sixth chord: Dorian\n5  | CMaj7   # tonic: the 4th is in the key\n5  | D9      # II7 in C, not resolving: natural tensions\nalt 5  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\nalt 5  | D9      # II7 in C, not resolving: natural tensions\n6  | Dm7     # ii of G13: Dorian\n6  | G13     # V7\u002FI in C: natural tensions\nalt 6  | Dm7     # ii of G7#5: Dorian\nalt 6  | G7#5    # V7\u002FI in C: #11 and b13 from the symbol\n7  | Bb9     # tritone substitute: resolves down a half step to A7\n7  | A7      # extended dominant: each one falls a fifth into the next: natural tensions\n8  | D9      # V7 of V7: the dominant of the dominant: natural tensions\n8  | G7#5    # V7 in C, not resolving: #11 and b13 from the symbol\n9  | Bb9     # tritone substitute: resolves down a half step to A7#5\n9  | A7#5    # extended dominant: each one falls a fifth into the next: #11 and b13 from the symbol\n10 | D9      # V7 of V7: the dominant of the dominant: natural tensions\n10 | G7#5    # V7 of C: #11 and b13 from the symbol\n11 | C6      # tonic: the 4th is in the key\n# area: E major (A 11 – B 4)\n11 | F#m7b5  # iiø7 of E: Locrian, the key's own notes (its ♭2 is a passing note)\n11 | B7      # V7 of E: natural tensions\n@ending 1 6 8\n@ending 2 9 11\n\nsection: B\n1  | EMaj7   # tonic: the 4th is in the key\n1  | F9      # tritone substitute: resolves down a half step to EMaj7\n2  | EMaj7   # tonic: the 4th is in the key\n2  | F9      # tritone substitute: resolves down a half step to EMaj7\n3  | EMaj7   # tonic: the 4th is in the key\n3  | F9      # tritone substitute: resolves down a half step to EMaj7\n4  | EMaj7   # tonic: the 4th is in the key\n# area: G major (B 4–7)\n4  | Am7     # ii of the ii–V to G\n4  | D7      # V7 of G: natural tensions\n5  | GMaj7   # tonic: the 4th is in the key\n5  | Ab9     # tritone substitute: resolves down a half step to GMaj7\n6  | GMaj7   # tonic: the 4th is in the key\n6  | Ab9     # tritone substitute: resolves down a half step to GMaj7\n7  | GMaj7   # tonic: the 4th is in the key\n7  | Eb7     # tritone substitute: resolves down a half step to D7\n7  | D7      # V7 in G, not resolving: natural tensions\nalt 7  | GMaj7   # tonic: the 4th is in the key\nalt 7  | Bbm7    # a borrowed minor chord: Dorian, its own key\nalt 7  | Am7b5   # iiø7, borrowed from G minor: Locrian\n# area: C major (B 8 – C 9)\n8  | Dm9     # ii of the ii–V to C\n8  | G7#5    # V7 of C: #11 and b13 from the symbol\n\nsection: C\n1  | C69     # tonic: the 4th is in the key\n1  | A7b9    # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n2  | Dm9     # ii of G7b9: Dorian\n2  | G7b9    # V7\u002FI in C: the b9 from the symbol\n3  | Am      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Am\u002FG    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | F#m7b5  # #ivø7 in C: Locrian, its own mode (the chord is outside the key)\n4  | Fm6     # a minor sixth chord: Dorian\n5  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | A7#5    # extended dominant: each one falls a fifth into the next: #11 and b13 from the symbol\n6  | D9      # V7 of V7: the dominant of the dominant: natural tensions\n6  | G7#5    # V7 of C: #11 and b13 from the symbol\n7  | C69     # tonic: the 4th is in the key\n7  | Db7     # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n8  | Dm7     # ii: Dorian, the key’s own notes\n8  | Db7     # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n9  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n# area: Ab major (C 9–10)\n9  | Eb7     # V7 of Ab: natural tensions\n10 | AbMaj7  # tonic: the 4th is in the key\n# area: C major (C 10–12)\n10 | Db9     # tritone substitute: resolves down a half step to C69\n11 | C69     # tonic: the 4th is in the key\n12 | C69\n",1793575882031]