[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:autumn-in-new-york":3},"title: Autumn In New York\ncomposer: Vernon Duke\nstyle: Ballad\nkey: F\nform: ABCD, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A\n# area: F major (A 1 – B 1)\n1 | Gm7     # ii: Dorian, the key’s own notes\n1 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | Bb6     # IV: the #4 is the key’s 7th\n2 | C7      # V7 of F: natural tensions\n3 | FMaj7   # tonic: the 4th is in the key\n3 | Gm7     # ii: Dorian, the key’s own notes\n4 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | D7b9    # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n5 | Gm7     # ii: Dorian, the key’s own notes\n5 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | Bb6     # IV: the #4 is the key’s 7th\n6 | C7      # V7 in F, not resolving: natural tensions\n7 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | D7b9    # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n\nsection: B\n1 | Gm7     # ii: Dorian, the key’s own notes\n# area: Ab major (B 2–5)\n2 | Bbm7    # ii of the ii–V to Ab\n2 | Eb7     # V7 of Ab: natural tensions\n3 | AbMaj7  # tonic: the 4th is in the key\n3 | Eb7     # V7 of Ab: natural tensions\n4 | AbMaj7  # tonic: the 4th is in the key\n4 | G7b9    # V7\u002Fiii in Ab: b9 and b13 are in the key\n5 | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | Am7b5   # biiø7 in Ab: Locrian, its own mode (the chord is outside the key)\n# area: C major (B 6–7)\n6 | Dm7b5   # iiø7 of C: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | G7b9    # V7 of C: the b9 from the symbol\n7 | CMaj7   # tonic: the 4th is in the key\n# area: F major (B 8 – C 4)\n8 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8 | D7      # V7\u002Fii in F: the b13 is in the key\n\nsection: C\n1 | Gm7     # ii: Dorian, the key’s own notes\n1 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | Bb6     # IV: the #4 is the key’s 7th\n2 | C7      # V7 of F: natural tensions\n3 | FMaj7   # tonic: the 4th is in the key\n3 | Gm7     # ii: Dorian, the key’s own notes\n4 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | D7      # tritone substitute: resolves down a half step to Db7\n# area: C minor (C 4–6)\n4 | Db7     # tritone substitute: resolves down a half step to Cm7\n5 | Cm7     # tonic minor: Dorian by convention\n5 | Dm7     # a borrowed minor chord: Dorian, its own key\n6 | Ebm6    # a minor sixth chord: Dorian\n# area: Bb minor (C 6 – D 2)\n6 | F7b13   # V7 of Bb minor: b9 and b13 are in the key\n7 | Bbm6    # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n7 | Abm7    # a borrowed minor chord: Dorian, its own key\n8 | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | C7      # V7\u002Fv in Bb minor: b9 and b13 are in the key\n\nsection: D\n1 | Fm7     # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n1 | C7b9    # V7\u002Fv in Bb minor: b9 and b13 are in the key\n2 | Fm7     # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n# area: Db major (D 2–7)\n2 | Ebm7    # ii of the ii–V to Db\n2 | Ab7     # V7 of Db: natural tensions\n3 | DbMaj7  # tonic: the 4th is in the key\n3 | Ab7     # V7 of Db: natural tensions\n4 | DbMaj7  # tonic: the 4th is in the key\n4 | Db7     # I7 in Db, not resolving: natural tensions\n5 | Gm7     # a borrowed minor chord: Dorian, its own key\n5 | Am7     # a borrowed minor chord: Dorian, its own key\n6 | Bbm6    # a minor sixth chord: Dorian\n6 | C7b9    # V7\u002Fiii in Db: b9 and b13 are in the key\n7 | Fm      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n# area: F major (D 8)\n8 | D7b9    # V7\u002Fii in F: the b13 is in the key, the b9 from the symbol\n",1793575881990]